hrj | Reading

Four works new to me. three novels, one TTRPG supplement. Two appear to be fantasy, one SF, and one is a mystery (by an author famous for their fantasy). Two appear to be stand-alone and two are series.

Books Received, July 12 — July 19

Poll #33375 Books Received, July 12 — July 19

Open to: Registered Users, detailed results viewable to: All, participants: 20

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Which of these look interesting?

View Answers

The Bloody and the Damned by Becca Coffindaffer (April 2026)
9 (45.0%)

Warhammer Fantasy Roleplay: Sea Wardens of Cothique by Dave Allen, Dominic McDowall, Michael Duxbury, Jude Hornborg, Naomi Hunter, Steven Lewis, Simon Wileman, et al (4th Quarter, 2025)
1 (5.0%)

Boy, With Accidental Dinosaur by Ian McDonald (February 2026)
10 (50.0%)

Enola Holmes and the Clanging Coffin by Nancy Springer (February 2026)
4 (20.0%)

Some other option (see comments)
0 (0.0%)

Cats!
15 (75.0%)

redbird

We expected to finish going through Mom's papers, photos, etc. yesterday, but despite me and \mark both pushing hard, we realized in the late afternoon that we were both badly worn out, so we stopped. He left, and I got Adrian and Cattitude to tale care of me. I was worn out both mentally and physically; Adrian pointed out that \I hade worked steadily for longer that the previous couple of days. Mark will coming back to the flat a bit, but we did not set an alarm, because I needed the rest.

We reached a point yesterday that I could be satisfied just packing everyting the three f us have decided to take--photos, the gorgeous candlesticks Mom left to Adrian (officially tp me, but she had discussed them with Acrian), and a few other s,mall mementoes, but there's a stack of paper that Mark wants to take a second look at: he was lookinmg both for financial paperwork as well as photos and other mementoes. It felt like it might be 45 minutes more work today, but could take tjhree times as long if we had tried to push through last night.

I told Andy and Adrian to go out and play yesterday, so they spent the afternoon at Kew Gardens. It is raining steadily now, and foercast to do so for several hours. I#m thinking I want to do not much today, just finish the tasks here, and maybe go out and do something interesting tomorrow, before leaving for Boston on Monday.

I am very glad we saw

liv on Tuesday, when we were still feeling energetic.

cosmolinguist

Me: starts to type "transmasc"

Me: thinks Wait is that right? More precisely, what I want to talk about here is people who take testosterone. Of course I don't want to imply that trans = hormones, but I also am not talking about all people with testosterone-dominant endocrine systems, the group I'm talking about is specifically those of us...on our second...puberty...

Me: types "second-puberT"

brithistorian

I read a couple of articles recently, one about the recent Magic: The Gathering/Final Fantasy crossover and another a review of the most recent D&D book. The common thread in both of these articles was the way that the economics of being owned/produced by Hasbro (a multi-billion-dollar corporation) was affecting the content of the games. This got me to thinking that perhaps some games would be better off as lifestyle businesses. I don't think this is practical for all games — major corporate intellectual properties are more likely to deal with a major corporate game company than a lifestyle game company, regardless of the quality of the game — and I think at this point a lot of small game companies are just small companies that haven't scaled up ("yet," in the owners' hopeful thoughts) — but I'd like to deal with a game company that's run more for the good of the designers and the game than for the benefits of a huge faceless corporation.

ETA: It occurred to the just after posting this that a lot of the "companies" I dealt with when I was active in historical miniatures gaming were lifestyle businesses, simply because there's not really much room to scale historical miniatures. While this occasionally meant delays in orders because of issues in the owner's life (e.g. "I'm having my gallbladder out, so orders for the next couple of weeks will be delayed") or because of the realities of dealing with a small business (e.g. "I don't have any of Napoleonic Spanish irregulars on hand, so there will a slight delay while I cast some more"), it was generally a pleasant experience, even given the realities of transatlantic shipping in the late 1990s. It wouldn't really be compatible with today's "Amazon overnight delivery" mindset, though.

james_davis_nicoll

In case you've been waiting for an update for the last seven years...

Checking in on Our Old Friend, Barnard’s Star

james_davis_nicoll

Terrible life choices gave Connie Lam a mountain of debt. The most recent poor decision left her as the lead suspect in a murder case.

Club Contango (Tracerverse, volume 2) by Eliane Boey

jacey

DS Peter Grant and his extended family are trying to take a holiday in Scotland - Aberdeen to be precise. There's his partner, Beverley, a minor riber goddess, their twins, cousin Abigail (and DCI Nightingale who is training her in the arcane arts). And then there's Peter's mum and his dad, and old jazz musician, plus his band and their disreputable manager. Dad and the band have a gig at the Lemon Tree, a well known Aberdeen venue. It turns out to be a working holiday as a strange corpse (with gills) turns up, and Abigail's talking foxes spot some strange things. Expect giant seagulls, corrupt oil companies, selkies, mermaids, the local police force and some very strange goings-on culminating in danger on board an oil platform in the stormy North Sea. T(I was particularly intrigued because in my muso days, I played a gig at the Lemon Tree, and stayed in Foot Dee (Fitty) which gets regular mentions.) The story was entertaining, but not my favourite Rivers of London book. This is from both Peter's viewpoint and Abigail's as the story diverges and comes back together. I did find Abigail's teen slang a bit wearing, and wonder how that part of the book will age, as slang changes so rapidly. It's good addition to the Rivers of London series, but not the place to start.

jacey

Another Grimdark winner for Joe Abercrombie, well read by Stephen Pacey.

Europe is in turmoil, plague and famine go hand in hand, the church is split and her holiness the pope, a ten-year-old child, calls upon the services of her 'devils', tried and convicted transgressors. There's a vampire, a werewolf, an undying knight, a female soldier, an elf, and a necromancer, all shepherded by an unwilling monk who would rather be a librarian. Their task is to make sure Alexa, newly discovered heir to the empire of Troy, gets safely home and crowned. But there are complications. Alex has been brought up on the streets of the Holy City, living by her wits. She's a better thief than a princess, but her newly introduced Uncle Michael says she's the true heir, and it's better than being shredded by the shady folks she owes money to, so Alex goes along with it. They have many adventures on the way to Troy. They are attacked, shipwrecked and attacked again, mainly by Alexa's cousins who believe they hare the rightful Emperor. And then... when they reach their destination, there are betrayals, from the highest, disguised as political expediency. The characters are fabulous, the plot twists, twisty. If anything, the fight scenes - which are well written - last a little too long. It does resolve but then there's a bit tagged on to the end that leads into a second book in the sequence. Not exactly a cliffhanger (thank goodness). Stephen Pacey does a marvellous job differentiating the voices and accents from a growly, insane werewolf to a cheerful elf with little to be cheerful about.

cosmolinguist

I had one of those "leave for London at 6:30 am, get home at 10pm" work days today, so I'm too tired to say much tonight (which is a shame because I was actually there for something interesting this time!).

I will say that on the train to and from I read about half of a book called I Was a Teenage Slasher by Stephen Graham Jones and I'm enjoying it very much. It is gory, but as usual the real horrors for me are the emotional pain, which this book is describing very well. I just have to be careful about things with teenagers dying...especially in small towns.

lydamorehouse

I finished watching Apple+'s Murderbot series last night. I will not spoil the show for anyone but I will say that I spent the first half of the last episode EXTREMELY STRESSED OUT thinking that the producers might take the story somewhere it had never gone in the novellas/novels. The friends I was watching with probably did not appreciate my feelings, but I couldn't help but saying, "I don't like this" a lot during those first fifteen minute or so. Things turned around and returned to 'true,' as it were, but there was a bit of sloppy writing that may haunt me for the rest of my life. ( beware: spoilers! )

But, otherwise, I'd give the series a big thumbs up. It was more than decently faithful to All Systems Red and many of the changes were improvements. I have more to say about it, some of it slightly less than glowing, but since it's still quite new, I will save much of my critique for in-person panels and private discussions.

We also ended up watching The Ying Yang Master Zero, which I really loved. It features a semi-historical figure Abe no Semei, who like King Arthur, just gets a lot of play.

I'd talk more about it, but I need to run off to take Shawn back to the knee doctor. She's develop a new pain in her knee and so we're off to make sure it's nothing serious.

james_davis_nicoll

The Young People react to Tanith Lee's retelling of a classic fairy tale.

Young People Read Old Nebula Finalists: Red As Blood by Tanith Lee

james_davis_nicoll

A teenager's social engineering skills are harnessed for good.

Unwillingly to Earth by Pauline Ashwell

redbird

We got a lot done yesterday and today, Mark and I sorted through a bunch of stuff on Tuesday, and talked to Ralph (Mom's stepson) and figuring out which things are his/his sister's, and then which withim that what people actually want. Legally, he and Liz own the flat and some of the contents (specified\). In practice, there are things none of us want, partly because of geography: Ralph doesn#t need furniture, and he's the only one of us who lives anywhere nearby. So it's mostly what has sentimental value, like Simon's family china.

To our London friends: If we get enough done today, we might still be able to see people tomorrow or Saturday, but I don't know yet.

I also got into a stupid argument Tuesday afternoon with Ralph's wife Jenny, who was trying to convince me that my brother and I had some koind of obligation to arrange for clearing out everything that nobody wants, so Liz (Ralph's s sister) can sell the flat. This started with me telling her that we hadn't traveled from the US to be unpaid labor clearing out a flat for someone else to sell, and then on the third time she cirled back to telling her that by insulting my recently deceased mother she wasn't helping. |She said she wasn't trying to help, I told her to at least stop hurting then, and walked away from the conversation. My brother is one of the executor's of the will, so maybe has some obligations here, but Ralph and Liz own the flat now--my mother had a life tenancy and then it went too her stepchildren. I emerged a while later to find that Mark, Ralph, and Jenny had made a bit more progress in figuring things out.

They left here at about five, and Cattitude and Adrian went shopping to buy a few groceries.

liv, who is staying part-time in a flat half a mile from here, came over for the evening, and we had a very good, long visit. Adrian cooked dinner in an unfamiliar kitchen; I'd checked with Live a fw hours earlier about dietary restrictions. The original plan was just for her to come over here, where we can sit in the back garden, but one advantage of that is being able to comfortably share meals with people.

Wednesday was productive, sorting through papers and Mom's jewelry and a few oddments. The will leaves a few specific pieces of jewelry to Simon's daughter and two of my cousins, so we need(ed) to locate those. Beyond that we can do whatever seems good, and had agreed to offer things we didn't want to our cousins. We've found one piece Adrian is taking, and there's a bracelet of Grandma's that my cousin Janet asked us to sell her. If we find it, it's Janet's, as a gift.

After Mark and Linza left, the three of us decompressed a bit. After supper, I sorted through a bunch of [photos, pulling out a few that \I want and/or thought \mark would want to least see. My mother's youth hostel card, signed by her and Grandpa, was in an envelope, along with a 1949 student discount subway pass, which got her free or discounted trips home from school. Thirty-odd years later, they were giving us passes good for free trips both ways, but only after the first few weeks of the semester.

In going through papers, and figuring out what we need, including things the executors and Mom's account might need, we have so far found four social security cards. What seems to be the original has a number stamped on it rather than neatly printed. One of the others makes sense in that it has her second married name on it--Eve Rosenzweig Kugler--but four still seems like a lot.

I'm going to post this and have some breakfast

gentlyepigrams

Books
Stone and Sky, by Ben Aaronovitch. Most recent of the Rivers of London books, in which the gang goes to Aberdeen to find out what's up with a mysterious sheep eating cat, and ends up involved with merfolk, selkies, North Sea oil, and Scottish independence. I've actually been to Aberdeen once and it felt right to me. I really enjoyed the Abigail/foxes subplot more than usual, and I was fascinated by Beverly and the babies. Also, kudos to Ben for getting around Brexit.
Last Call at the Nightingale and The Last Drop of Hemlock. First two books in a 1920s set mystery series centering on a jazz bar in New York. Our heroine is an Irish orphan who stumbles into two mysteries. The supporting cast is diverse and the mysteries are interesting: the first one involves a body found outside the club and gets into whiskey runners and gangsters; the second involves the demise of our heroine's (Black) best friend's uncle and has some great twists. There are 2 or 3 more in the series and I'm definitely down for the lot of them.
Picks & Shovels by Cory Doctorow. I'm glad he writes from the perspective of a (sometimes really dumb even though he's really smart) man, because the story he's telling in this one would be unbearable if he were trying to write from a woman's POV. Third in the Martin Hench series, this one tells a story about Marty's arrival in San Francisco in the 1980s and his involvement in the quarrel between a religious computer company and the women who left them and tried to take them down. I like these books a lot; I just don't like the protagonist very much even when he's theoretically doing the right thing. Also, the overall ending was strong, even the parts I didn't like.
Death by Misadventure, by Tasha Alexander. Lady Emily and her husband do a locked room mystery in the Bavarian Alps. I correctly predicted the killer but not the reasoning, which was well-done. This series has the annoying past-history interspersions but this time I figured out the significance about halfway through the book and thought it was much more interesting than the previous books: it explained a lot more about the current mystery than the interspersed stories have in the past.
The Lily of Ludgate Hill and The Muse of Maiden Lane by Mimi Matthews. Third and fourth in the four-hander Regency romances in the Belles of London series, in which four horse-riding friends get paired off. Book three involves one of the girls calling in a favor from an old flame. Timewise this is interspersed with events from the previous books in a very clever way. Book four involves the aftermath of those events and ties in with them the same way. This time the clergyman's sister has to forsake her home to get her independence and her man, who's a disabled artist (he can't walk after a bout of scarlet fever). The way the series ties the books together is really clever.
Miss Caroline Bingley: Private Detective, by Sharmini Kumar & Kelly Gardiner. Inspired by the side characters in Pride & Prejudice, this one uses a Regency mystery as a jumping-off point to get into the history of the East India Company and subcontinental Indians in Regency London. By the end of the book we have Caroline set up with an Anglo-Indian lady friend, a possible romance/foil in the Company, friends and allies and enemies, so I expect there to be another one.
A Daughter's Guide to Mothers and Murders, by Dianne Freeman. This time Frances and her husband are in 1900-ish Paris, at Longchamps and dealing with a mystery in which the Divine Sarah (Bernhardt) is a suspect. I like the expansion of the family in the B-plot and the resolutions with Frances' mother and personal friends, and while I did see one of the twists coming, there was one that surprised me, so that was good.

Movies & TV
Murderbot, Episode 10. I've really enjoyed this series even if most of the finale was predictable (they weren't going to destroy the protagonist!) I liked the ending and look forward to S2.

Music
Apple Essentials: Wet Leg and Wet Leg, Moisturizer. None of the other stuff is as droll as Chaise Longue but I do like me a little female fronted rock music. Of the new stuff I think I like CPR (the new single) best.

Current Music: Silence is golden.

kareina

Since Cudgel was so rainy I was a little concerned about getting the tent dry after. No problem, it has been hot and sunny since we got home. Not only did the tent dry, but we have even waterproofed the sunshade, which hasn't been so rain-proof.

Tomorrow, when it has dried from that we can put them borh away.

Today Keldor built another screen window, so now the house is finally cooling.

james_davis_nicoll

First responders were called to King Street West and Pine Street around noon Wednesday for an incident involving a pedestrian and LRT train.

Police said the pedestrian was taken to a hospital outside the region.

cosmolinguist

Today was just one thing after another: work, with chores like laundry interspersed, then tidying the shed and putting the camping stuff back in it, then getting a haircut, then getting back just in time to help with the second half of dinner-making, then going with D to his girlfriend's house where we ended up going on a trek to find a new light bulb for her bathroom.

Her other partner overhearing the conversation about the need for a new bulb and coming into the room with us saying "We've been danger weeing for a few days now, haven't we love?"

We were able to find a light bulb of the correct size and fitting, and D sorted it out before we came home. The two of them were so grateful.

So for all my accomplishments of the day, the best might be that I've played a small part in preventing people from having to wee in the dark. Which is especially valuable when P is still on crutches!

coffeeandink

Sources: ISFDB, Wikipedia, my bookshelves

I collated this list for my Cherryh reread project. I didn't include magazine publications or omnibus editions, and only noted reprints where updated copyright dates or author's notes indicated substantial revision.

Italics = Probably not covering this in the reread.

( Cut for length )

egret

Mysteries by Charles Finch: A Beautiful Blue Death, The September Society, The Fleet Street Murders - These are very pleasant cozy mysteries set in Victorian London where Lord Lennox reads a lot of books and solves mysteries as a hobby. In the last one I read he has married and been elected to Parliament which are both interfering with his mystery solving, much to his consternation. There is a certain amount of flustering over the servant problem as the servants keep insisting on behaving like real people, which Liberal Lord Lennox admits they are but you know society has a structure for a reason. Very charming and entertaining. Originally these were a recommendation from my sister and believe me, if my sister and I both like something, it’s very broadly attractive. I think the other thing we agree is good is Keanu Reeves LOL

Obery M. Hendricks, Jr, Christians Against Christianity - A justified screed on why conservative/evangelical Christians are wrong to support Trump and Christian nationalism.

Tom Bower, Revenge. Scandalous royal family gossip about the Duke and Duchess of Sussex. As an American, I enjoy British Royal Family gossip as a soap opera distraction. It’s entertaining to read about PROTOCOL and TRADITION and TASTE and TACKY when it has nothing to do with me. So I read this gossip book from the library during a terrible brain melting heatwave and it distracted me from how hot it was.

Lynette Eason, Too Close to Home and Don’t Look Back. These are from the Women of Justice series of Christian mysteries by Eason. In each one a woman law enforcement officer solves crimes and falls in love with another LEO, often having to lead him first to church and/or Christ. Eason is good at creating genuinely scary situations that keep you in there, and her characters are likable and relatable. The villains are a little wildly over the top and I guessed who the second one was about a quarter of the way through, but I didn’t get bored listening. So I endorse these if you like Christian mysteries. If not, the proselytizing might put you off. Currently listening to the 3rd one which is A Killer Among Us. Oh, did I mention that all the main character women are sisters? So you hear about what’s happening with the other sisters as you move through the series. Another thing these books lean into is the danger of stalkers and women’s safety of movement. I would like to dismiss this as paranoia but it’s really not. I follow a discussion group about walking and people are always sharing their playlists and books for listening to while walking to prevent boredom. I’m always a bit amazed because I never listen to headphones when I’m walking because I need to listen to what’s going on around me to stay safe. I can’t even say this is just a woman’s issue: No one should be so lost in the clouds while they’re walking around in public. Perhaps this comes from living in a city my whole life. But I think even in the country I would listen for bears or something. OK, this is a tangent.

Loves of His Life - Lesley Ann Jones - this is an older rehash/update of her Freddie Mercury biography focusing on his relationships. I pre-ordered her dubious book about his alleged secret daughter, which is releasing on his birthday, but in the process of doing so I found this unread and lurking on my Kindle. Main new contribution is a theory that Freddie was more traumatized by the Zanzibar revolution and the income extremes around Mumbai than he liked to discuss and that trauma explains his avoidance of Africa and India for the rest of his life. (I don’t totally dismiss this theory and add that the one time he did return to Africa — to shamefully perform at Sun City during the boycott — he lost his voice, which sounds psychosomatic as heck.)

Currently: Alaska Twilight by Colleen Coble. Another Christian one that’s not even the beginning of the series. It’s about a wildlife photographer traveling in Alaska to film a guy who gets too close to bears. She has brought a dachshund into the Alaskan wilderness and if that little dog is eaten by a bear I will stop listening. Listening to it because it reminds me of Werner Herzog’s Grizzly Man documentary and because other things I have on hold have not arrived yet. Still have not finished Herland and have de-emphasized it in favor of writing my fall syllabi.

Current Mood: calm

coffeeandink

Welcome to the Very Slow C.J Cherryh Reread! I will be rereading C.J. Cherryh's work in order of publication and posting about it on a weekly or fortnightly basis. Subsequent posts will be all spoilers all the time, but for this overview, I will stick to generalities.

Cherryh is pronounced "Cherry", because that is her name; her first editor thought people would assume Carolyn Janice Cherry was a romance writer. (Her brother, sf artist David A. Cherry, was not subject to similar strictures.) Since the mid-70s, she has written 77 novels and four short story collections (1); self-published three journal collections (blog posts); edited seven anthologies; and translated four novels from the French. Her shared world fiction, not included in the aforementioned collections, must amount to at least another four or five novels' worth of word count.

Notes towards an overview

It is so hard to know how to start talking about Cherryh's work. She is so foundational and yet so idiosyncratic and weird! She has a wide fanbase and has won two Hugos and been recognized with the Damon Knight Grand Master Award by the SFWA, and I, like many of her fans, am still convinced she is underappreciated. I blame a lot of this lack of recognition on sexism, though I think some of it is also due to the nature of her work. Cherryh belongs to what I think of, for lack of a better term, as Deep Genre: she makes almost no sense if you are not familiar with science fiction tropes and reading protocols. She is almost unimaginable as Baby's First Science Fiction, unless Baby has a heavy tolerance for getting thrown in the deep end and having to figure out oceanography and navigation pn the fly while also learning to swim by trial and error while also being shouted at by several different parties, some of whom are trying to rescue Baby and some of whom are trying to drown them, but good luck telling which is which. (This is, of course, my preferred mode of science fiction immersion, but it's impossible to say whether that is the cause of my deep love for Cherryh's writing or the result of my early exposure to it.)

Cherryh is an extremely immersive writer, and famously an expert at extremely tight unremarked third-person focalization; she expects you to pick up hints and asides and put together information by implication, or, if you can't do that, at least to be absorbed enough by what you do understand that you just keep going anyway. To this day, I have almost no comprehension of the plot of a Cherryh novel until my second or third reading.

Cherryh, more than almost any other sf writer, feels like she is writing history: her books don't cohere into a single grand narrative, but are each snapshots of different collisions between nature, nurture, chance individual encounters, and overwhelming social forces. Very frequently, conflicts are upended or balances of power shifted by the sudden intrusion of a player that was never mentioned before, or that got mentioned in a tossed-off subordinate clause in a passage focused on something else entirely, and it doesn't feel like a deus ex machina or an overcomplication; it feels like panning out of a zoomed-in map and realizing you should have been thinking about how those close-ups or insets fit into a bigger context all along.

Cherryh writes so many different kinds of books—big anthropological novels told blockbuster-style with multiple POVs, with a Victorian devotion to including people across every sector of society and class; weird slender thought experiments about the nature of reality and the definition of humanity; and alien encounters, so many alien encounters, humans encountering aliens, humans encountering humans who might as well be aliens, humans and aliens encountering other aliens who make the "alienness" possible to other humans seem facile and trite. (I am very much looking forward to getting to the weird body horror of Voyager in the Night and the multi-way alien encounter extravaganza of the Chanur books.)

I have heard Cherryh's prose style called dry; in a recent podcast Arkady Martine called it "transparent"; I remember Jo Walton once in a blog post saying it read like something translated out of an alien language. I personally love its distinctive rhythms and find it extremely chewy and dense, the very opposite of transparent; I think it gets a lot of its peculiar flavor from the deliberate deployment of archaic vocabulary—not words that have fallen out of use, but words where she relies on the older rather than the present connotations. Vocabulary and grammar become tools of estrangement; the style itself tells you that you are not reading something set in the present day and you cannot assume you understand the personal or social logic shaping this narrative by default.

Series and other groupings

I do not have a single good way to divide up Cherryh's oeuvre, so here, have a mishmash of setting, genre, and production history:

The Union-Alliance universe
Most or all of Cherryh's science fiction takes place in a vast future history known as the Union-Alliance universe for two of its major political powers. Union-Alliance is less a series than a setting; most of the books grouped under it stand alone, or belong to short subseries (often later published in combined editions) that are independent of each other. Outside the subseries, the books can be read in any order, and publication order generally does not reflect internal chronology.

In this future history, habitable planets are rare; extrasolar colonies are initially space stations built out of slower-than-light transports sent from star to star. After FTL (dependent on sketchily explained "jump points") is developed and new (though still rare) Earthlike exoplanets are settled, trade is dependent on family-owned and operated Merchanter ships, each one in effect its own independent small nation.

The books themselves vary widely in focus: some depict an enclosed society, a ship or a space station or a single, sparsely populated planet; some encompass vast spreads of space or time and major historical events. Cherryh has a welcome tendency to produce books whose characters all share a common background and then to go on to write others from the perspective of the other three or four sides of any given conflict. (Conflicts in Cherryh seldom boil down to as few as two sides.)

Although author timelines and republished edition front matter puts all the sf Cherryh produced in the twentieth century into this background, when people speak casually of the Union-Alliance books they often mean the subset of books clustered around the time period of the Company Wars, when Earth is attempting to exert control over its extrasolar colonies. (None of the books take place on Earth; only two take place in the solar system. Probably one of the clearest signs that Cherryh is American is that her sympathy defaults to the colonies attempting to break away.)

The atevi series
In the atevi series (also known as the Foreigner sequence, for the first novel in it), a lost human ship settles on a world already inhabited by an intelligent native species called atevi.

The humans and atevi get along great for around twenty years, which is when the humans find themselves in the midst of a catastrophic war they don't understand how they started. The surviving humans are displaced to a single large island, with a peace treaty that declares no humans will set foot on the mainland except the official interpreter.

The series takes place a few hundred years later and focuses on the latest official interpreter, whose job duties are soon to expand drastically and include cross-planetary adventures and fun poisoned teatimes with local grand dames.

This series has been the bulk of Cherryh's work since the mid-nineties. It is twenty-two volumes and still ongoing. Unlike the (other?) (2) Union-Alliance books, these form a single continuous narrative; by the late teens, they are more or less a roman fleuve. Cherryh initially breaks down the longer series into sets of three, possibly with the hope each new trilogy could serve as a new entrypoint, but this pattern is abandoned after the first fifteen books. She does still valiantly attempt to summarize the important points of the previous books within text, but in my opinion this straight-up does not work. You really do need to read these books in chronological order for them to make sense.

The series is popular and well-beloved and has been cited as a major influence by both Ann Leckie and Arkady Martine, and I nevertheless blame it in part for Cherryh's failure to receive the attention and respect she deserves. Long ongoing serials do not tend to receive as many award nominations or reviews as work that requires less background reading, not helped in this case by the weakness of the latest books. The atevi books have always been less dense than Cherryh's earlier work, but in the past decade they have sometimes narrowed down to an excruciating microfocus. (I am especially cranky about Book 19, which takes place over a single weekend and is entirely concerned with the logistics of securing a hotel room from infiltration or attack.)

Fantasies
Cherryh's fantasies are all traditional medievalish works, most of them very Tolkien influenced. The majority of them are in ahistorical, vaguely Celtic settings (the Ealdwood books, Faery in Shadow/Faery Moon, the Fortress series, possibly Goblin Mirror); one trilogy is set in land-of-Fable Tsarist Russia; one magicless standalone is set in a kind of China-Japan analogue that feels a lot less Orientalist than that combination should because of the determined lack of ornament and exoticization (YMMV).

Like her science fiction, Cherryh's fantasy tends to feature protagonists who are terrified, desperate, paranoid, and in desperate need of a bath and a good night's sleep. Also like her science fiction, somehow or other her fantasy invariably ends up being about thought control and social conditioning and infinite regresses of self-conscious thought.

Shared-world work
The eighties saw an explosion in shared-world fantasy, something like professional fanfiction and something like the work of television writers' rooms: groups of writers would collaborate on stories set in a background they developed together. One of the earliest and most influential was the Thieves' World series edited by Robert Lynn Asprin and Lynn Abbey, set in a sword & sorcery venue most notable for its exponential urban deterioration with each volume, grimdark avant la lettre. Cherryh was a frequent contributor, her stories featuring a particular set of down-on-their-luck mercenaries, street kids gone hedge magicians, and the extremely powerful vampirelike sorceress Ischade. This series set the pattern for her most significant later shared world works, both in terms of her frequent collaboration with Abbey and writer Janet Morris and in the tendency to treat each story more as a chapter in an ongoing serial than as a complete episode in itself.

For Janet Morris' Heroes in Hell anthologies, set in a Riverworld-inspired afterworld where everybody in all of recorded history seemed to be in the underworld, Cherryh relied on her college major and Master's degree in Classics to write about Julius Caesar and associated historical figures, producing nine or ten short storie; some of the short fiction was incorporated into the two novel collaborations with Morris and Cherryh's solo Heroes in Helll novel. The world-building and general theology are frankly a mess, but I would still 100% go for a historical novel of the Roman Republic or early empire if Cherryh felt like writing one.

Cherryh launched her own shared world series, Merovingen Nights,with the solo novel, Angel with a Sword, and then edited seven subsequent anthologies. She described several of the anthologies as "mosaic novels", and they do indeed show an unusual amount of close coordination and interdependence among the stories penned by different authors. Despite the novel title, the series is science fiction, set on an isolated planet in the Union-Alliance universe. Neither novel nor anthologies were reprinted during DAW's early 2000s phase of repackaging most of the older work Cherryh originally published with them, which is a great shame; they are very solid.

Full disclosure

This isn't 100% a reread project. There are three books in the 2000s I've never read. I'll let you know when we get there.

I also expect Cherryh to have published more books by the time I finish, but let's be real, I'm going to read those as soon as they come out.

Currently I'm not planning to cover Cherryh's translations, her journals, or most of her shared world work. I'm not sure how I'll handle the Foreigner books, which suffer from diminishing returns; I may cover the first few and stop, I may skip around to only the volumes I find particularly interesting, I may bundle together multiple volumes in a single post.

I am going to cover the Lois and Clark tie-in novel, because I find it hilarious that Cherryh (a) wrote a contemporary novel; (b) wrote a tie-in novel; (c) wrote a Superman novel. (Her first short story ever, the Nebula Award winner "Cassandra", was also set in the then present day, but I think that's it.)

Other Cherryh reading projects

The single tag for Jo Walton's Cherryh rereads has been lost to the Reactor Magazine reorganization, but you can find them pretty easily by going to the oldest Cherryh reviews on the site and reading forward

Ian Sales' SF Mistressworks project has multiple Cherryh reviews by multiple reviewers

The Three Hoarsemen podcast, The Works of C.J. Cherryh

sholio's Read All the Cherryh tag

james_davis_nicoll is reading a Cherryh a month for 2025; to find his earlier Cherryh reviews, use a keyword search

Endnotes

1 This count includes the collaborations with Janet Morris and Jane Fancher, but excludes The Sword of Knowledge series, which was written entirely by her collaborators (Leslie Fish, Nancy Asire, and Mercedes Lackey) from Cherryh's outline. [back]

2 It's not clear from the text itself whether or not these books also fall under the Union-Alliance umbrella. Cherryh has sometimes said they do, but the humans in the Foreigner series are so isolated that the events of the Union-Alliance books have effectively no bearing on them. [back]

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james_davis_nicoll - Books Received, July 12 — July 19
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