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hrj ([personal profile] hrj) wrote2008-03-14 12:38 pm
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My Twist on the "Ask Me Anything" Meme

As I think I've mentioned before, I tend to be hyper-cautious about memes that seem to have as their hidden purpose: 1) demonstrating how much feedback you can induce people to give you; or 2) going into TMI-overload with a sort of truth-or-darish "I promise to answer any question!" And as for the whole "working outside my comfort zone" thing, these days that's a life program, not an occasional LJ amusement. But here's an offer inspired by the current "ask me to blog outside my comfort zone" meme that's going around.

Is there any question -- whether idle or deeply profound -- that you've ever wanted to ask me but never felt you had a good opening for? I'm inviting you to ask it here ... with the following conditions.

* I will not be screening comments (either questions or answers). If there's something you want to ask that you don't want the rest of the world to know about, you'll have to do it face to face some time.

* If I think a question is too personal, I'll decline to answer it. (This isn't "hrj bares her soul", just "hrj answers questions".) I probably won't be offended (and I might even answer the same question face-to-face), I just won't post any answers that I'm not willing to have on permanent public record.

* This offer isn't confined to, or necessarily specifically aimed at, my f-list. Casual readers are explicitly included.

And I promise that if nobody has any questions, I won't conclude you-all don't love me! (Or even conclude that my life is an open book with no mysteries.)

[identity profile] wulfsdottir.livejournal.com 2008-03-14 08:22 pm (UTC)(link)
What inspires you?

[identity profile] hrj.livejournal.com 2008-03-14 08:51 pm (UTC)(link)
Hmm, good question. New stuff. Stuff that begs to be figured out. Stuff where there's an itch in the back of my brain saying, "there's a pattern here to analyze if only I can organize and crunch the data in the right way". Unusual stuff -- not necessarily in the sense of "odd for its context" but in the sense of "stuff nobody else is working on" or "stuff that there isn't much information about". I get inspired by figuring out what to do with what I have (e.g., when putting together dinner menus). I get inspired by planning in ways that I'm not always inspired by execution. I get inspired by the drive to Know and Understand.

[identity profile] wulfsdottir.livejournal.com 2008-03-15 04:10 pm (UTC)(link)
Thanks. :) Seems to be something we have in common, particularly the bit about planning vs. execution.

[identity profile] aryanhwy.livejournal.com 2008-03-14 08:24 pm (UTC)(link)
How old are you? I've gathered from some recent posts that you must in fact be about my mother's age (don't worry, she had her children young), even though I always imagined you 10-15 years younger.

[identity profile] hrj.livejournal.com 2008-03-14 08:47 pm (UTC)(link)
Well, the recent mention of scheduling my 50th birthday party this summer might be a Clue. :)

[identity profile] aryanhwy.livejournal.com 2008-03-14 08:52 pm (UTC)(link)
Doh! I read it, went "Huh!", and then promptly forgot. So, two years younger than my mom. I guess you're just fixed in my mind the age you were when I first met you, at the Known World in Tir Ysgithr, gosh over 10 years ago now. Scary how time flies.

[identity profile] duchessletitia.livejournal.com 2008-03-14 08:27 pm (UTC)(link)
I can't find my references to using fish based glue for appliqué. Can you point me in the right direction?

[identity profile] hrj.livejournal.com 2008-03-14 08:57 pm (UTC)(link)
This may have to wait until I get home. The first place I'd look is that Dover reprint book that's a translation of some Renaissance Italian artist's manual. I'm thinking maybe Cellini, but I'm not sure that's the right author. Anyway, I know it has a discussion of various techniques for decorating cloth, including gluing gold leaf on, so whoever's book it is, it's a likely possibility for applique. Otherwise, I'd have to browse through my various modern books on medieval embroidery to see. The Univ. of Toronto book on medieval embroiderers seems like a likely place, since that series tends to talk about technique and not just artifacts.

[identity profile] hrj.livejournal.com 2008-03-15 04:22 am (UTC)(link)
Ok, I thought I might have the name wrong -- Cennini, not Cellini. (Cennini, Cennino d'Andrea. 1960. Craftsman's Handbook. Dover Publications, Inc., New York.) I think I can be forgiven. I did remember correctly that he mentions gluing appliques, but the context is quick-and-dirty hangings to be painted rather than embroideries. From p.105 of the Dover edition:

"Also, for painting hangings, you may cut white cloth, and put it on top of the blue cloth, fastening it on with pastes, like glue; and lay it on according to the figures which you wish to distribute over the ground; and you may paint with washes of colors, without varnishing afterward. And you get more done, and cheaply, and they are handsome enough at the price."

The U. of Toronto book doesn't seem to have anything relevant in the discussions of applique.

Arnold (Arnold, Janet. 1985. Patterns of Fashion (1560-1620). Drama Book, New York.) p.111 describes some appliqued decorations on a gown as:

"The gown is embroidered with applied black satin motifs and couched black cords. Each motif is glued to a piece of paper to prevent fraying, cut out and mounted on the velvet, then outlined with black cord."

So that doesn't seem to have the motifs glued onto the ground fabric directly, although it's otherwise the technique you're using.

[identity profile] morrghan92.livejournal.com 2008-03-14 08:42 pm (UTC)(link)
If you could own any extant garment (to love, cuddle, research, etc) what would it be, and why?

[identity profile] hrj.livejournal.com 2008-03-14 09:01 pm (UTC)(link)
One that I actually know exists, as opposed to some hypothetical one? Right at this very minute, I'd have to say the white linen tunic preserved as a relic of St. Clare -- because as far as I know it's never been published in detail and because it has a lot of interesting features but also is part of a larger context of a "garment type" that I'm looking at closely at the moment (surviving albs and alb-like tunics from the 12-15th century) in which it falls stylistically but not culturally.

Next year, it would be whatever I'm studying most closely then.

[identity profile] hrj.livejournal.com 2008-03-14 11:38 pm (UTC)(link)
Oh, and I should add that if I can include hypothetical garments, it would be the Llangors tunic (http://heatherrosejones.com/llangorsembroidery/index.html) before it was burned and buried in the swamp. Because it's the only medieval-era Welsh garment that we have any physical trace of, it's "weird" (see previous note on interest in weird stuff) in that it's apparently a meant-to-be visible garment (given the embroidery) but is made of linen (and has significant undecorated areas, as opposed to being solidly embroidered), and I want to know what that embroidery looked like when it's not all carbonized to monochrome.

[identity profile] hrj.livejournal.com 2008-03-14 09:05 pm (UTC)(link)
Great great great great great great great great grandpa Francis Jones came from Wales in 1711. (Later I discovered that he'd come to Wales from Ireland in 1708, so the question of his "Welshness" is rather up for grabs.) And -- to reference one of the above answers -- Welsh fits my "unusual" test. In a US context it's an unusual cultural heritage to fixate on -- especially if one isn't of very recent arrival. And in a general context Welsh is a minority language, both in terms of number of speakers and in terms of how many people outside the culture are even aware of it, much less interested in it.
loup_noir: (Default)

[personal profile] loup_noir 2008-03-14 09:29 pm (UTC)(link)
Are you happy with the current career, or do you still hold out hope for academia?

Also: when do you think you'll be done with my DVDs? I don't mean to nag, but we had a guest over recently who hadn't see "Rome," and we wanted to cure that problem. The next guest was a "Deadwood" fan and, well, you know....

[identity profile] hrj.livejournal.com 2008-03-14 09:54 pm (UTC)(link)
I'm ecstatic with my current career. I get to do research and crunch numbers and analyze data and teach people how to do things and solve problems ... and then for dessert, I get to write long technical reports! Of course, if I had ended up as a linguistics professor, I'd also be ecstatic about my career. But the current state of academic employment isn't very promising for someone doing a mid-life career change (especially someone with a mortgage). I make a heckuva lot more money at the Big B than I would as an entry-level college professor ... and the job security is better, too. And since I still get to do research, publishing, and teaching to any extent that I want to, I'm not missing out much on that end.

Sorry about the delay on the DVDs -- I'll pack them up this weekend. I kept thinking I'd work my way further through Deadwood, but it never really grabbed me. Rome was great, especially in that way of "enough things I disagree with that it could make a fun review".

[identity profile] aastg.livejournal.com 2008-03-15 01:00 am (UTC)(link)
If you had an *unlimited* budget, what would you do to your house & yard?

Answer Part 1

[identity profile] hrj.livejournal.com 2008-03-15 05:16 am (UTC)(link)
A truly unlimited budget? Quite frankly, I'd sell this house and buy one that retained more of the original Victorian structure and decoration. But if we specify that it has to be this house and only this unit of this house, and we're talking about a budget for projects but not for upkeep (i.e., no gardeners or housekeepers), it might go something like this.

Bathroom: Completely rearrange the fixtures. The tub goes across the outer wall, a longer tub so I can stretch out full length if I want, and expand the window down and sideways. Maybe jacuzzi jets, but more on that later. Location of the other fixtures is less important but it would be rather fun to do (Victorian) period-style fixtures.

Master bedroom: Install a pocket universe for the walk-in closet ... no, scratch that. The problem is I have two people's stuff (mine and my persona's) in one person's space. (This does, of course, bother me in concept when I contemplate ever getting in a relationship that goes as far as moving in together.) I'd love to do something that really takes advantage of the 12 foot ceiling. I've fantasized about redoing the bookshelves entirely in the top 6 feet of wall and then installing rolling library ladders to access them. On the other hand, there's something to be said for painting William Morris-style medieval friezes all around the room (and on the ceiling).

Oh, and in general, I'd get rid of all the wall-to-wall carpet and install real hardwood floors rather than just wood laminate.

Dining room: More Victorian medieval paint jobs on the walls. Get rid of the filing cabinets. Something more interesting with the lighting, but I'm not quite sure what.

Kitchen: This is something I've actually been thinking about because I figure in about 5 years I'll start on the kitchen remodel. I'm thinking in terms of turning the wall between the kitchen and the dining room into a counter/pass-through arrangement. More on the fantasy side, I'd move the appliances into a central island, but I'd have to play with layouts to figure out where to put the fridge and any additional cabinetry. If I could move the tool cabinets out into a garage (more later), then that area would be the pantry-like-object. The floor should be finished with something easier to clean than parquet tiles, but less prone to causing breakage than marble. The counter-tops, however, should be marble or granite.

Deck: Could only be improved by the addition of a deluxe barbecue outfit, but that would really call for having people over for barbecue more often.

Stairs/entryway: Either a continuation of the William Morris style paint job, or a large ornate mirror. There isn't really room for real entry-hall furniture ... unless I expanded that area out into the present-day driveway a little. Nah, stick to just the mirror. Install the planned half-bath under the stairs, with necessary wall construction to go with.

Re: Answer Part 1

[identity profile] dr-zrfq.livejournal.com 2008-03-17 06:16 pm (UTC)(link)
Master bedroom: Install a pocket universe for the walk-in closet ... no, scratch that.

That would be part of the plans for just about everyone in the SCA, and over half of fandom (*any* fandom).

Unfortunately, successful installation evidently requires parts from the same warehouse as the parts for my multilocative teleporter, which have been on backorder for THREE YEARS now... and [livejournal.com profile] stefsoap pointed out to me a while back that the warehouse's address did not appear to be in this or any nearby galaxy.

Answer Part 2 (pesky character limits)

[identity profile] hrj.livejournal.com 2008-03-15 05:16 am (UTC)(link)
Living room: You know, I've pretty much done everything I want to the living room. I'd like to swap the present ceiling light for one with a fan (helps with air circulation when using the woodstove). There is intended to be a set of curtains that go across the sewing/entertainment center wall. Wait, we're talking fantasy interior decorating here. In my Victorian historic fantasy design scheme, the living room is intended to be the "Victorians do Pompeii" room. More wall paintings. The curtains are all embroidered with Roman motifs. Rather than modern overstuffed couches, the furniture can be converted into a functional triclinium, for those days when you just want to eat lying down with your friends. And there would be a custom-built cabinet for the computer equipment that exactly fits the corner where it lives and looks decorative when all closed up.

Guest bedroom: In the Victorian fantasy design scheme, this is to be the "Victorians do Egypt" room. Wall painting as appropriate. Bed that is both a convertible Murphy bed and follows the Egyptian theme.

Yard: All areas of the yard will have an automatic, completely invisible, and water-conserving irrigation system. Finish all the planned brick walkways with conversion of the desired parts of the lawn into beds instead. (This is all mapped out on my current garden plan, but it's a bit complicated to describe.) Add garden bench. In the corner under the deck just outside the windows to the guest bedroom, install the hot tub (including privacy screens that roll down from the edges of the deck). Part of the budget goes to paying whatever bribes are necessary to get permission to build a garage-like workshop at the back of the driveway (it's too close to the property line to get regular approval -- or we could just include this as one of the fantasy aspects). Workshop structure includes sufficient strength and security measures that my tools don't disappear a week after being moved in.

I think maybe I'm not thinking far enough outside the box. But really, the truly unlimited fantasy budget goes into my reproduction Roman villa either in the Sierra foothills or overlooking the ocean near Mendocino. Everything else is a compromise.

Re: Answer Part 2 (pesky character limits)

[identity profile] aastg.livejournal.com 2008-03-15 07:19 pm (UTC)(link)
I really do like it that, when you're asked a question, you give a *complete* answer.

Funny, for some reason I've always thought of you as being Modern architecture & decor type, contrary to all evidence. That's probably more about my response to your generally clean, spare thought processes and less to your actual taste.

The sense I get of your overall plan makes me think of a vertical version of Brighton Pavilion....

Re: Answer Part 2 (pesky character limits)

[identity profile] hrj.livejournal.com 2008-03-17 07:02 pm (UTC)(link)
Modern decor leaves me utterly cold. I've always had a wildly romantic streak for my physical surroundings. Funny story: When I was a kid, I desperately longed for a canopy bed -- not just with a canopy but with full curtains. I loved the idea of making my bed a private hidden fortress where I could go with a book and shut out the world. When I was planning out my recent redecorating fit, I kept looking for the "perfect" 4-poster canopy bed to fill that dream at last. And then it hit me ... my entire damn house is my "private hidden fortress" now. What in the world would I be "shutting out" with a canopy bed?

But I'll still keep fantasizing about a 4-poster canopy tourney-bed (where at least it would have the practical purpose of providing extra heat-insulation).

[identity profile] visc-lore.livejournal.com 2008-03-18 11:18 pm (UTC)(link)
How - and when - did you find/join the SCA? I've been in for 30+ years, and it seems I "grew up" hearing that you were an expert in so many things. I confess - I'm a lurker reader of your journal because (a) you're incredibly knowledgable; and (b) you keep me up on Bay Area/ West Kingdom happenings, and I miss Flieg & Ellis & Valgard & all the folks I met out there when I was working for the Board.

[identity profile] hrj.livejournal.com 2008-03-19 06:00 am (UTC)(link)
Last Fall I posted a memoir of my early years in the SCA (and the early history of the Shire of Windymeads (http://hrj.livejournal.com/121005.html) which answers the question in more detail than you probably want. The short version: I joined in the Fall of 1977 and have been continuously active since then. I don't think I would have had a reputation for being an expert at much of anything until I started seriously researching Welsh naming practices about 20 years ago, though. Before I joined, I'd seen a newspaper article about the SCA when I was in high school, but at that time I wasn't up to searching out strange organizations on my own.