Museum Visit
Jan. 16th, 2026 05:47 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
hrjBack in September, on my podcast, I aired an interview with Karli Wurzelnbacher who had curated a museum exhibition on sculptor Emma Stebbins at the Heckscher Museum on Long Island. So one of the conjunction of excuses to make this trip out to the East Coast was a chance to actually see the exhibit. Yesterday I took one of those typically complex assortments of transit peculiar to NYC to get there and had a wonderful time viewing everything.
The Heckscher is quite a small space--just five rooms and all of them in use for the show. In addition to quite an assortment of Stebbins' sculpture, there were displays of her drawings, biographical information, and a large number of photographs of works that are no longer extant (or no longer locatable), especially those documented in a scrapbook that her sister had compiled for her.
There was also a good amount of space devoted to her partnership with actress Charlotte Cushman (the exhibit used the word "wife" to my delight), as well as the rest of the expatriate artist community in Rome that they were part of. There were sculptor's tools on display and a video showing the process of mocking up a clay model, creating a cast, then using that to transfer the shape to marble.
In addition to enjoying the show, I was able to meet Karli face-to-face (although I didn't think to get a selfie with her). All in all, a lovely little adventure.
The Heckscher is quite a small space--just five rooms and all of them in use for the show. In addition to quite an assortment of Stebbins' sculpture, there were displays of her drawings, biographical information, and a large number of photographs of works that are no longer extant (or no longer locatable), especially those documented in a scrapbook that her sister had compiled for her.
There was also a good amount of space devoted to her partnership with actress Charlotte Cushman (the exhibit used the word "wife" to my delight), as well as the rest of the expatriate artist community in Rome that they were part of. There were sculptor's tools on display and a video showing the process of mocking up a clay model, creating a cast, then using that to transfer the shape to marble.
In addition to enjoying the show, I was able to meet Karli face-to-face (although I didn't think to get a selfie with her). All in all, a lovely little adventure.
