Wilkommen zurück

Oct. 29th, 2026 11:13 pm
[personal profile] cosmolinguist

We're back home!

The flight was about 40 minutes late and the train we tried to get home from the airport suddenly wasn't stopping at the stop we needed so we had to wait another half an hour for the next one. So we didn't get home umtil like 9:30, but that was just right to have a snack and a chat with V and then go to bed.

I'd put clean sheets on my bed before we left and I'm so happy to be between tbem tonight.

Books I've Read: January-March 2026

Oct. 29th, 2026 12:36 pm
hrj: (Default)
[personal profile] hrj
Time to get caught up on these posts, though I'm still not sure why I feel compelled to do them.

January

Dead Dead Girls by Nekesa Afia -- (audio) A dark mystery/thriller set in prohibition-era New York. Part of a growing sub-genre of Harlem Renaissance fiction intersecting with prohibition-era fiction. A painfully realistic portrayal of the Black sapphic protagonist's adversarial alliance with authority figures to try to protect her community. There's a high body count and a rather mixed resolution, but the writing is excellent.

February

The Ruthless Lady's Guide to Wizardry by C.M. Waggoner -- (audio) DNF. A perfectly reasonable fantasy quest adventure with some lovely sapphic yearning, but it just isn’t a flavor of fiction that grabs me. I find in general that books that feel like they’re grown in the potting soil of D&D style questing are unlikely to work for me, even when featuring badass sapphic characters. I kept drifting away from listening and finally gave up.

Witch Week by Diana Wynne Jones -- (audio) Continuing my somewhat random meander through DWJ's catalog (as the Libby app makes available). I've been appreciating the deep dives into DWJ on the podcast Eight Days of Diana Wynne Jones, but I keep finding that I don't like the books themselves as much as the analysis. In large part, I'm probably the wrong age to be reading them, because my reading notes are "I'm very tired of reading about unpleasant children." Reviewing my "to be written up" spreadsheet, this was the last of the DWJ books I tried for the interim.

March

Pride and Prejudice and Pittsburgh by Rachael Lippincott -- (audio) A time-travel romp with our heroine being sent back in time to seek true love. It was amusing and satisfactory, though not particularly deep. If I were critiquing plot points, I might note that while a 21st century time-traveler might be expected to recognize what’s going on with some alacrity, the early 19th century characters were implausibly willing to accept the idea of time-travel with few questions. But the time-travel is the mechanism, not the point of the story.

Peasprout Chen, Future Legend of Skate and Sword by Henry Lien -- (audio) So there's this thing I do when I'm having dental work done and am stuck waiting in the chair for things to happen, where I go on social media and tell people to rec me a book with the promise that I'll pick it up if it looks at all interesting. I might have passed on this one except that my library had it in Libby. It's a YA book (maybe even middle grade? not sure about the dividing line) about kids going to a competitive skating-based martial arts school (but it's skating on some sort of artificial architechtural surface, not ice, so you can basically skate all over the city). I'm pretty sure I read a short story in this setting a few years ago for awards-reading. I listened enough for a taste, but it wasn't really my thing and I didn't finish.

Queen Demon by Martha Wells -- (audio) The sequel to The Witch King, which I really liked (despite feeling a bit confused at the end). Human/demon politics and religious-driven imperialistic warfare with a lot of lovely worldbuilding. I think, for once, my preference for audio was a mistake because there are two different timelines braided together and the audio insufficiently signaled when we were changing, so I spent a lot of time confused and trying to sort things out. And that meant that when the library warned me that my time was almost up, I wasn't inspired enough to renew my borrow. Alas.

Lady Eve's Last Con by Rebecca Fraimow -- (audio) (I have more detailed notes than usual, due to having posted about this on social media shortly after reading.) A nice slow-build antagonists-to-lovers f/f romance. My interpretation is that it's basically a jazz age caper/thriller transferred to a future extraterrestrial setting. Which felt a bit odd, like: the futuristic space-faring setting felt like window dressing on early 20th century American dynamics. It was a fun story! And of course the queer elements would have been different if the setting matched the underlying vibe. But it got me thinking about all the f/f historical fantasy where it feels like the fantasy aspect is there to make it possible to tell a queer-normative story, rather than engaging with the realities of history. (I do enjoy queer-normative settings, but I also very much enjoy stories that create queer joy in actual history. And it sometimes seems like too many authors don't believe the latter is possible.) So this isn't a complaint about the book, but simply a higher-level observation about storytelling dynamics.

Free Up Storage Space book sale!

Oct. 29th, 2026 06:39 pm
swan_tower: The Long Room library at Trinity College, Dublin (Long Room)
[personal profile] swan_tower
I would very much like to reduce the storage space I'm currently devoting to foreign-language editions of my books, so that means it's time for a discount book sale! Languages currently available are Arabic, French, German, Italian, Polish, and Romanian. Each of the following titles is just $5 a book plus shipping, and I'm willing to strike a bargain if you're interested in multiple at once:

Onyx Court (note that these are episodic enough to work without the whole series)


Memoirs of Lady Trent (ditto re: episodic nature)


Legend of the Five Rings


Additionally, I am specifically looking to unload copies of Labyrinth's Heart, because a few years ago, Alyc and I accidentally wound up with about a hundred copies above and beyond the ones we received as part of our contract. (No, we don't know why.) We've slowly been chipping through those by tabling at conventions and buying additional stock of the first two books to go with them, but we're offering a special deal to anyone who buys ONLY Labyrinth's Heart -- offer void if you also want The Mask of Mirrors or The Liar's Knot. :-P That one is yours for just $7 plus shipping.

Happy to sign any of these, and personalize them to whomever you like. If you're interested in any of these, drop me a line!

(originally posted at Swan Tower: https://is.gd/9qf15X)

Dead Beat

Oct. 29th, 2026 02:04 pm
seekingferret: Two warning signs one above the other. 1) Falling Rocks. 2) Falling Rocs. (Default)
[personal profile] seekingferret
Dead Beat by Leigh Bardugo

Ostensibly the finale of Bardugo's Ninth House trilogy, about Alex Stern and her unlikely gang of allies fighting demons and demon worshipers at Yale. I've been anticipating this book since I finished Hell Bent, and was sort of counting down the days until my hold in Libby came in. I devoured it in about three days, and find myself largely satisfied by the ending of the series, though I would not be shocked if Bardugo ended up writing more in this world, she's certainly left herself room for it.

The usual pleasures of the series were there in abundance, the rich reinterpretation of the geography of New Haven and Yale's campus, and the morally complicated relationships between neo-adults trying to figure out who they are in a world that can be all too uncompromising and unforgiving of mistakes or false steps. There is a lot of bleakness in this book, a lot of time where the demons win, a lot of people making choices they can't undo. But there is also a rich sense of community and the propulsive force of people making hard choices to make the world a better place. Tikun Olam.

The Ninth House, Lethe, is inspired by the mansion owned by the Yale society Shabtai, "a global Jewish leadership society" on campus that Bardugo has scrubbed of its overt semitism without totally erasing that pervasive sense of outsiderly Mission that often animates Jewish organizations in non-Jewish places. In a lot of books where an unlikely, unsupported, unqualified cohort ends up uncovering a secret evil to fight, the story features a lot of dithering before the final battle between good and evil. Setting aside the question of which side is good and which is evil in Dead Beat, there is no dithering. The way in which the Lethe team keeps making plans and then trying to execute them keeps the story moving with inexorable flow.

It is, as is usually the case with Bardugo, extremely compelling storytelling. Everyone is likeably unlikeable, from the frat boy vampire to the self righteous lightly psychic cop, and I think this book does a nice job of giving closure to some of the other Yale students whose narratives were fleshed out in Hell Bent. Mercy Chao gets some really good moments here, some of the members of other secret societies get fascinating exploration.

The best fight scene in the book gives Pamela Dawes of all people a moment to shine. As much as Alex Stern is the focal center of these books, and this book definitely gives some answers to her key identity mysteries, this book is about the ensemble and its growing sense of teamwork. Yale is not an institution you can fight alone.
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


In the 1970s, bold solutions to the crisis abounded... in the realm of fiction, at least.

How Science Fiction Solved the Energy Crisis

Anathem by Neal Stephenson

Oct. 29th, 2026 08:30 am
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


The world depends on the cunning of unworldly, cosseted, relentlessly philosophizing scholars!

Anathem by Neal Stephenson

More baihe!

Oct. 29th, 2026 12:14 am
aurumcalendula: gold, blue, orange, and purple shapes on a black background (Default)
[personal profile] aurumcalendula
Seven Seas announced another baihe license today!

So far the state of official English translations of baihe novels (that are available in print or ebook) is as follows, as of October 2026:

( Read more... )

I'm very curious when Rosmei's going to open preorders for the rest of The Creator's Grace and At the World's Mercy and when the print listings for Miss Forensics, Matrilocal Marriage, and My Wandering Spirit Lady are going to appear. I don't know anything about Into the Sea, but I'm glad Seven Seas is continuing to pick up baihe novels.
[syndicated profile] alpennia_feed

Posted by Heather Rose Jones

Saturday, October 31, 2026 - 07:00

Lesbian Historic Motif Podcast - Episode 355 – The Sultan’s Vetala by Priya Sridhar - transcript

(Originally aired 2026/10/31)

I love it when we not only get a fiction episode at the end of October, but we have a story to schedule that partakes of the supernatural or a touch of horror. When I suggested to Priya that we might air this story on Halloween, she was delighted by the idea.

Priya Sridhar is a 2016 MBA graduate and a published author. She has been writing fantasy and science fiction for fifteen years and counting, including the Powered series from Capstone and Offstage Offerings from Unnerving Press. Priya lives in Miami, Florida with her family.

“The Sultan’s Vetala” is inspired by the burial of Razia Sultan, who died in 1240 near Kaithal in Northern India. Priya offers the following content note about this story: “This is a story about burying a dead body. A vetala is a spirit that inhabits a dead body and makes it move around. This story has a lot of that, domestic abuse, on-screen drowning, and death mentioned.”

I will be the narrator for this story.

This recording is released under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License. You may share it in the full original form but you may not sell it, you may not transcribe it, and you may not adapt it.


The Sultan’s Vetala

By Priya Sridhar

 

Battlefield dust weighed no heavier than the sweeping sand-clouds from the mountains. Blood had long dried and clotted fields of flowers, turning their beauty into a grieving, fraying textile.

Shazia tightened the dirty linen around her head. Many bribes had allowed her to travel with a sole escort and no watchful soldiers; her husband savored his victory and so ignored the one person who should linger in his abode. She had removed all of her jewelry except for curved Kanphool earrings and an emerald Phuli from her nath. Covering her face meant that few peasants noticed the gold or precious stones. The remaining jewels and coins were sewn into her clothes and satchel. Still, they had taken plenty of caution, she and her soldier.

Razia’s elephant had shown them the trail. Trampled footprints rendered into blood puddles that led to the creature’s corpse. Tusks and tail already sawed away, the rest left for the snow leopards and vultures.

Shazia had no tears to spare. She still knelt and prayed for the poor creature that had served her sister. Its bloodied eyes stared beyond hungry clouds of flies.

Minhaj walked a respectful distance from Shazia; his khanda sword remained clean and blunt. Unlike many of the sultanate guards, the glory of battle and kingship failed to melt his stone heart; he agreed to go with her when she said there was utter secrecy. He checked every body they found, unwrapping bloodied linens to look into dead men’s faces.

They found the place, nestled between the sacred mountain and the holy Yamuna river. Peasants had muttered to avoid a new graveyard several miles from Kaithal. Any wanting to steal a coin from the gold-laden corpse found their senses lost amid the red sand and gravel.

Breathing bodies surrounded the corpse that she sought. They moaned as she approached, leather shoes stumbling in the sand. All in rough peasant garb, some with curved swords.

Razia wore gold and hammered pearls to battle, showing no fear of dacoits despite entire armies coming to behead her. Her body slumped against a drooping juniper, looking as if she were asleep. If not for the arrow at her throat, Shazia might have believed she could wake her sister.

“Take care, Your Highness,” Minhaj whispered. “These men are senseless now, but they can spring to action at any moment.”

Two glazed eyes opened. Razia stumbled to her feet. Minhaj’s hands reached for his sword.

“You have nothing to fear,” it said. “These men will never regain their senses until the sunrise. So they have crossed the dead.”

“What is this?” Minhaj asked.

“It’s a vetala,” Shazia swore. She did not believe in the tales, but she knew what danced before her eyes. Holy men had warned her about what haunted these fields.

The vetala grinned. It hadn’t removed Razia’s gold-plated armor, but the pointed helmet lay askew, metal leaves twisted off and stained. Razia’s pierced throat had long stopped bleeding; the arrow carved an ugly slash that ran from the left side of her narrow chin to the right side of her war coat. The arrow jerked as she spoke.

“Shall I slay it?” Minhaj asked. His hand rested on his khanda.

She shook her head. Drawing a weapon on a being that could not die was like trying to stop a waterfall with a single cup. You would drown before you could lift your hands.

Shazia pressed her palms together and bowed her head. A devout Muslem, she knew not to upset the Hindu spirits.

“What good tidings!” The vetala moved Razia’s sand-coated lips. “A living human with her mind intact. How does your heart taste?”

The knife strapped under Shazia’s lungi froze her thigh. She had packed weapons to travel, knowing how men and creatures reacted to vulnerable women.

“Salutations, O marvelous spirit. I wish to retrieve my sister’s body,” she asked the vetala. “Please.”

Razia’s eyes had never looked so misty, even when she had stopped lining them with kajal. Nor had she ever smiled with such careless wickedness. As sultan, Razia reserved her smiles for her favored family. Shazia had taken months to receive those smiles, often when other nobles weren’t watching. Then Razia stopped smiling at anyone after her first loss in battle.

“You are a soldier’s sister?” It cocked Razia’s head. “Some lucky peasant? Or a wife fit for a king?”

Shazia’s palms sweated. She was neither.

“This one fought to the bitter end, neither man nor woman. Woman of birth, man of clothing.”

“I wish to give her a funeral.” Shazia refused to look away from the mangled face. “I can offer you jewels, coins, or prayers for the next world.”

“I have no use for coins, not I. Jewels are pretty baubles, though, and I could use prayers.”

“May I carry her body from here if I offer you a ruby and a prayer?”

“Hmmm.” The vetala considered. “Did you love your sister?”

“Yes.”

“Speak truth and offer your token. You cannot hide from the dead.”

The threads in the lungi’s hidden pocket snapped when her fingers dug into them. Shazia brought out a ruby no bigger than a baby’s teardrop.

“I love her as one sister should love another,” she croaked. “That is my truth.”

“You may take her when you love me.”

Shazia blinked. She considered the vetala tapping the arrow’s shaft. It made a sloshing sound, like the hollow reed had collected blood in its chambers.

“How can I love you like my own sister when you lack a form of your own to touch and caress?” she murmured. “A loved spirit moves to heaven and frolics in paradise. I cannot truly understand you when you lack a body and stay in this realm.”

The vetala traced the arrowhead that pierced the throat, leaving blackened flesh. It shuffled backward.

“You are a wise princess, Shaziyyat. A form of my own? How do I know what forms you prefer?”

The vetala rested Razia’s body against a tree. It slumped back into a false slumber before exiting, a ghost with a grinning skull.

Ether entered Shazia’s open mouth. Instead of shutting it against the invasion, she spread her teeth and allowed it to enter her.

“Your Highness!” Minhaj drew his sword.

Shazia waved him away with her free hand; the other clutched the ruby. Angering a spirit as it explored her lungs would not end well for her.

“There was a princess in far-off lands that wanted to bury both of her brothers,” the vetala whispered in her mind, ear, and mouth all at once. “Both fought on opposite sides of war, refusing to share a kingdom. One brother was buried; the other was left for the dogs and crows to eat. The king, her uncle, decreed that any who buried the disgraced one would suffer a brutal death. The poor princess, thinking of her brother’s body left to rot, went and wrapped him in a shroud. She was caught, and the king sent her to a tomb where she would live until her rations dwindled. But his son loved her and begged the king to change his mind. The king refused until bad omens hit his kingdom. Then he buried what was left of the brother’s body and opened the tomb. But the princess had already hung herself with the shroud they had left her with; her betrothed proceeded to run a sword through himself. The king was left with his guilt and more bodies to bury.

“Answer me this, sad princess, or I shall tear you into twenty pieces from the inside out and leave you for the birds: who was more at fault for the princess’s death?”

“The king,” she whispered. “He valued the rule of law over the bonds of family.”

The spirit exited through her ears, nose, and mouth. Ether flowed over the hand with the ruby, removing it with a cold caress. It reformed in front of her, leaving ashes on her tongue. One ruby for an eye lined with a dark substance like kajal, the ether for a ripping mouth.

“You do not love me yet.” It echoed like the dusty wind. “But you will. Come back at dusk tomorrow, and maybe I will let you take your sister home.”

The echoes faded, the ruby settling on Razia’s chest.

“Is it gone?” Minhaj asked.

“No,” Shazia replied. “It has returned to her body to sleep.”

“Then we can take the body for a funeral?”

She shook her head.

“I’ve read the tales. If we try, it will simply return to this spot.”

The men stirred. The moans stopped as they came to their senses. They sat cross-legged.

“They will regain their senses at sunrise,” Shazia remembered.

“There is a grove with water a few lengths away,” Minhaj said. “We shall make camp there. These ruffians will not follow us.”

She looked back at the body leaning against the desolate tree. Men had kissed Shazia before. Some had meant it once, like her husband. Only one woman had kissed her, some visiting royalty who filled her with fire. But the vetala’s kiss felt colder and more vibrant than what a living person could provide.


Sleep refused to come; they spent the night preparing the grove and hiding from bandits. Shazia swatted away bugs when not helping gather fuel or collecting water from the tiny stream. They wove the trees together with string to repel the sun and wind.

“Your Highness, why not simply cut the spirit from the body?” Minhaj suggested as he stoked the morning fire. “We could return with holy men with mantras and spells and return the vetala to a graveyard after disarming it.”

“Men have tongues, and tongues spread words. Few know this was her resting place.” Shazia rubbed her throat. “I wish to fetch her body before the riffraff turn up to steal pieces of her fine armor and garments.”

“Nevertheless.”

“She died an enemy to the current sultan. Our brother may deny her a proper burial. I wish to give her one before he can decide.” She shivered, thinking of the princess in the vetala’s story weaving a shroud into a noose. The sultan would do far worse if he lost his temper.

“Does that make you his enemy, to go on this quest?”

“If so, you could turn me in to the sultan, get an award. But maybe I am just a sad princess wanting to do my duty.”

He added a fuel cake to the fire. New flames spurted.

“And what would become of my honor if I were to turn on you, Your Highness?”

“What became of others’ honor these past few years?” she murmured.

“We all had difficult choices to make. I’ll watch over while you rest.”

 “You should rest first. I’m not exhausted,” she lied.

Minhaj raised his eyebrows. A fly buzzed past his turban.

“Your Highness, your needs come before mine. I insist.”

She brought her knees to her chest. Fatigue threatened to topple her. He reached for her bedding.

“If you seek my death,” she whispered, “make it come quickly.”

“Mine will come before yours, Your Highness,” he promised.


They arrived at dusk. Minhaj had smothered the fire with fallen birch leaves. He dusted away any footprints left in the sand and red gravel. They refilled their water skins and ate dried bread.

No living humans this time within this clotted clearing; they must have returned to their peasant abodes. The vetala approached them in its borrowed skin.

The stench hit Shazia before the sight. Razia’s skin had discolored further. Flies hung around the softest spots.

“Salutations, O spirit. I have come to retrieve my sister’s body.” Shazia opened her palms to reveal a tiny sapphire. “I have uttered a prayer for you. Please take a bauble as a token of my word.”

“Aye, you came as agreed.” The vetala garbled more softly with Razia’s pierced throat. One eye opened, unblinking.

“Please. Her body won’t last long enough for a burial unless we prepare it.”

“You came to face the dead for her. Do you love your sister?”

“I do.” She maintained contact with that dead gaze, which had once reproached her from a lavish prison when it belonged to a living person.

“Did you love her in life?”

“I did.”

“Why do you come now to her death when you didn’t in life?”

Shazia nearly dropped the sapphire. The vetala grinned, showing Razia’s teeth. Decay blackened each molar.

“You know my truth,” she responded. “Otherwise, you would not ask.”

“Speak it.”

“I did come to her in life. But I could not give her what she wanted,” she spoke softly. “She was crowned twice and imprisoned once. My husband did not believe in her crown and so forbade me from supporting her. I had to visit her in secret while she was confined.”

“What was your punishment when you disobeyed him?”

Her arms shook further. If she stripped them of her cotton coverings, they would show the scars. She had been naïve and argued with her husband when the court imprisoned Razia; he taught her with his rings to hide her opinions. Time had not softened the blemishes.

The vetala didn’t allow Razia’s body to rest this time. It allowed the corpse to remain standing when it entered Shazia’s open mouth. Limbs stiffened and rooted in the soil.

“A brother and a sister went to war,” the vetala hissed in her ear. “Both wanted a throne with a heavy burden and great honor. The sister was named the heir and sultana, but the brother believed it was his birthright. She named herself sultan instead. The people loved her, but the ministers and court loved her brother. They tried to strip her of her crown.”

A gasp escaped her throat, but the ether didn’t. Shazia knew this story.

“The sister was forced to raise arms against her brother. Before she could enjoy her rule, a second brother coveted her throne. They raised their armies, and the brothers and sisters between them had to make a choice: stay neutral, or get involved. Some wanted royal favor, while others preferred to avoid bloodshed. Still more did not understand why take the heavy weight of a crown.

“The sister had a confidante, a sibling who would take her opinion. This confidante never betrayed her, not even when beaten with a hand that held heavy rings. Yet she had no power to crown the sultan. She could not agree to fight for either her sister or her brother. Who should she have chosen if given the power?”

Shazia choked. The spirit’s ether kept filling her, igniting her grief.

“Speak your truth, or I will crush your bones from the inside out.”

“Neither choice is the right one,” Shazia responded. “Everyone loses in war. Choosing no side is cowardly, but choosing one can sentence you to a miserable life.”

“A miserable life. Not death.”

“Death comes to all of us,” Shazia retorted. “It doesn’t have the pain that comes with life.”

“Clever princess. Did you avoid the pain that haunted your life?”

The spirit’s ether didn’t close her throat.

“Poor, sweet, naïve young Shaziyyat. You could not help Raziyyat in life; now you help her in death. Speak your truth.”

She couldn’t. Only whimpers escaped her mouth. Her scars throbbed like fresh bruises.

“Your Highness?” Minhaj gripped his khanda hilt.

Shazia burbled out a protest: do not attack. A blade would startle the spirit. Minhaj hesitated.

“Do you love me, princess?”

“No,” she croaked. “What love comes from memories of pain?”

It exited quickly, leaving her to stumble. Minhaj caught her. The sapphire fell; wind spun the gem into the spirit’s right eye socket. More kajal to outline this eye.

“Demon,” Minhaj said.

“Death,” Shazia responded.

“I am both and neither.” Despite not having eyelids, the sapphire winked in and out of the dusk. The ruby appeared, red and sparkling. Ether whitened around it, resembling a flowing sari lined with pearls. More ether formed a body with round weight on top and bottom.

Shazia had never heard of the stories where the vetala stood as a dazzling ghost. Her hands wanted to grasp that form, hold it tight, and allow it to kiss her again. She caught her breath, trying to find air in her lungs and not the stale memories of ashes and ground animal bones.

As quickly as the gems appeared, they vanished into the ether. The vetala entered Razia’s form once more.

“The men who came to rob your sister still dream of gold and sheets of pearl armor,” the spirit said with the mangled remains of Razia’s throat. “They will come as soon as the sun permits them. If you seek to avoid them, travel quickly with her body. They will not dare cross the southern river border.”

“And what of you?” Minhaj asked. “Will you stay in this makeshift graveyard?”

The ether entered Razia’s stiff body. Movement, as if the vetala moved Razia around like a wooden figurine.

“Your soldier needs two hands for his sword. I will assist you by walking your sister to her grave.”

“This is a bad omen,” Minhaj warned. “This creature does not belong to the living world.”

“And this body does not yet belong to the dead,” the vetala retorted.

“May I pull the arrow from her throat?” Shazia asked.

“When she stops bleeding,” the vetala responded.


They stopped by the camp to gather their things. A handful of rations. Ropes that tied the branches, undone with painstaking minutes.

“Your brother’s camp is not far from here,” the vetala remarked. “His life carries a stench on the southern winds.”

“Aye. My husband travels with him,” Shazia replied.

“So that is how you knew he would not miss you.” A flash in those deadened eyes. “Fighting his campaigns, nursing battle wounds, not knowing how his demure wife has vanished from her bedroom laden with the finest silk and muslin.”

“His habits are familiar.”

“His habits and a heart of stone that should be pounding for his beloved. Instead, he hurts those he loves and ignores those that love him. And for the sister-in-law that fought for her crown.”

“Please hold that infernal tongue,” Minhaj insisted. “We must make haste before the dawn, if you speak truth. Must you upset her Highness further?”

“Peace, Minhaj.” Shazia wiped her eyes. “We bury my sister soon. My grief may emerge early, but I will commit to my duty as you do yours.”

Silence as they navigated the path to the riverbed. The vetala moved with ease despite the body’s stiffened limbs. Minhaj glared at it, keeping his sword between the creature and Shazia.

The Yamuna shores had shallow waters. One could walk several meters and still not reach their knees. Red-striped fish with shredded fins darted in these shallows, swift as monsoon raindrops.

“Are you deceiving us with more spells?” Minhaj asked the vetala.

“Not I,” the corpse said. “Deceit would not amuse me now.”

“Then we’re being followed. Look at those lights.”

Shazia spotted them. Torches reflecting off metal. Farm ploughs, perhaps, or swords. Chanting in a language she barely recognized.

“Dawn has not yet broken,” she whispered. “They should have lost their senses upon approaching.”

“Two score men and a fakir,” the vetala noted. “He’s using mantras to make them walk through the night when the sun is close to rising. Clever.”

“For them, not for us,” Shazia noted. “But we covered our tracks, and our trail!”

“Any travelers would use the river to navigate, and a holy man can follow magic where it goes.”

“I can take on ten men,” Minhaj said. “Mayhap I can hold off the rest so you can flee, Your Highness.”

They increased the pace. The banks felt slipperier, and Shazia’s legs nearly slipped on the shallow riverbed.

Mumbling followed them. Men calling, fighting the trance that robbed them of sense. A fakir chanted so the living could thwart the dead. Bodies spread out to cut off any escape.

Shazia groaned; the riverbank begged her to stay and sink. Once they got too close, it’d be over. Their fogged faces would clear on seeing Shazia’s few jewels in addition to her sister’s armor. She would be lucky if they beat the hidden jewels out of her before breaking her neck.

“You should keep yourself out of this war.” Those were Razia’s last words to Shazia, whispered to her during one illicit meeting. Razia had ridden out with her army, mounting her elephant.

“My husband chose our brother,” Shazia had responded. “I cannot stay out of it.”

She wished she had said something greater, something braver. Begged Razia to let her come. Declared her loyalty to her sister, pledging herself and her husband. But she had spoken a truth they both hated.

Now they could exchange no further comforting lies or harsh truths. Shazia would die like her, murdered and robbed for gold and pearls.

Razia would have chosen to stand and fight if she were burying Shazia. She could handle twenty armed men. Intimidating a fakir would come easily to her. No hesitation or fear, no promised one to raise a hand against her…

“You chose her first,” the vetala spoke.

“What?” Shazia could barely form the words.

“You chose your sister over your brother, for your father wished her to rule. She knew, and that is why she told you to hide. It is why your husband sought to break your will. He knew your truth and wanted to turn it into a lie.”

“He wanted to beat my love for her out of me,” she whispered.

“You think yourself a coward for not following her,” the vetala went on, “but you fled your silks and satins to find your sister’s resting place and give her the honor due to her. Following her orders was hard, but you stayed out of the war. You survived. And now you make your own choices. Shaziyyat, you are one of the bravest humans I have met on this rich, complex Earth.”

She inhaled the words. They filled her with a sparking rage that she had buried beneath her grief. She clenched and unclenched her hands. A spoken truth that strengthened rather than weakened.

“Do you love me?” The vetala’s ether surrounded her.

“Yes,” she hissed back, and she understood. All love was pain; it wrecked your bones and your heart, and your mind. But the love you needed was all that and more, so that you could also cause pain and embrace it at the same time.

When someone loved you, they saw your pain. And you saw theirs.

Shazia inhaled the vetala’s essence. Ecstasy dripped and moistened her lips. She swallowed some pleasure as the rest flowed towards the torches. The raging ether of the dead flooded the air.

Screams, protests from the holy man. The peasants would lose their senses to the dead until dawn. They had enough sense for the vetala to steal during these precious minutes.

Shazia and the vetala impressed their will upon the many minds to walk past the shallows. Find the deeper rocks on the river bottom, tether clothes to them so they would not float, wait for the currents to suffocate life out of them.

The fakir shouted as two men grabbed him and marched him to those unwanted currents. He tried to regain control with his mantras. The vetala used one man to stuff the remains of a turban into the fakir’s mouth. He gurgled as they pulled him under.

Bubbles stopped flooding the shallow shore. The holy river claimed the flesh belonging to hungry peasants.

“That,” Minhaj said, “was not honorable.”

Shazia panted out the vetala’s ether.

“No,” the vetala agreed. “No more honorable than two dozen men seeking to rob a corpse for its bloodstained pearls.”


They washed Razia’s body before cleaning her and replacing her armor. Minhaj polished each pearl and fleck of gold.

The vetala showed them a spot on the plains far from flooding currents or collapsing soil. It left Razia’s body, taking the same solid form with an illusion of clothes. Shazia offered her spare muslin and turned around. She used real kajal, not ash, to paint each jewel-eye. An ether form had never felt so warm or alive. Later, Minhaj helped the creature dig.

Shazia painted her sister’s eyes one last time, not caring that one hung open. Her tears fell on the wound. Shazia would not cover that up. Her sister fought bravely for the birthright their father had promised. Heaven would know.

She offered one last kiss before covering those greying cheeks in linen. Razia’s cheek had never felt so dry. Nor had it stunk with age.

Minhaj helped her place the bundle in the ground. She struggled with the weight, threatening to fall into the hole instead.

“Farewell, Razia,” Shazia whispered. “If we meet again, I will choose more wisely.”

Sunbeams hit Razia’s grave as they all retrieved the mountain soil to bury her. No marker with her name, no mourners throwing themselves against the compact dirt. Only memories shared between the living and the dead.

“It is done,” the vetala said.

“Aye.”

“And then we will head back to the land,” Minhaj said. “Where do you travel, demon spirit?”

“Where I please.” That wicked grin. “I need to understand how to create a form that the princess can love.”

“This form is pleasing,” Shazia responded.

“May your wish never render itself into flesh and bone,” Minhaj muttered.

“So it may be. And what of you, soldier? Will you mourn your warrior son who died with this sultan?”

A gasp from Minhaj. Shazia turned.

“I asked you no truth, but you knew you would not see him again when he made his choice to march with the sultan. No mother to mourn him, no body to bury.”

“We can find him,” Shazia said. “A proper burial.”

Minhaj’s eyes watered. The grip on his sword softened.

“Perhaps.” He looked away. “There may not be a body for us to wash and bury.”

“And what of you, sweet princess? Will you return to a life where your husband wears rings?”

“I…” Shazia rubbed her head. Dust smeared her forehead. “I have a husband. I am a princess. There are duties.”

“Did his duties include striking you where no one could see the marks?”

She hugged her elbows together. Minhaj moved as if to offer a comforting hand. Then he paused. Shazia looked up, gaze following the shoreline.

“Come,” she said. “This way.”

They marched along the coast: the runaway princess, the grieving soldier, the wavering ether using rubies and sapphires to see.

“Your jewels and coins will run dry,” the vetala remarked.

“As will our good fortune.” Shazia twisted her neck to look back at the rippling waves.

“You will lose your looks and your fine clothes.”

“And I will suffer more. Pain that I will not have imagined in a palace with no want for food or cotton.”

“Then why are you heading west, higher on this mountain, instead of south? Your home is past your brother's and husband’s armies, laden with dripping fruits and endless coffers of gold.”

“I do not need to speak my truth,” Shazia replied. “You know why I seek a direction far from the rising sun and the land beyond the river.”

“That life has pain,” the vetala replied, “one that you cannot stand any further.”

“Where you go, I go, Your Highness,” Minhaj offered.

“I know of treasures buried in those cities,” the vetala added. “Forgotten coins and jewels that could buy a comfortable life.”

Clogged waves washed away their footprints as they marched farther away from the revealing light. West held promises far from dusty battlefields and broken sultans.


Show Notes

This quarter’s fiction episode presents The Sultan’s Vetala by Priya Sridhar, narrated by Heather Rose Jones.

Links to the Lesbian Historic Motif Project Online

Links to Heather Online

Major category: 

reading wednesday

Oct. 28th, 2026 02:24 pm
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[personal profile] boxofdelights
I'm reading A Night In The Lonesome October by Roger Zelazny. I meant to read it one chapter per day, but I fell behind, raced ahead, fell behind again, and gave up. It's good any way you read it.

Just finished Leaves of Grass by Walt Whitman for Classics book group. Talking about books with that group is usually a good time.

Up next:( Read more... )

Volatile Memory, by Seth Haddon, and There Is No Antimemetics Division, by Qntm, for SF book group. James, by Percival Everett, for Tawanda book group. Close Range, by Annie Proulx, for Classics book group. On Repentance and Repair, by Danya Ruttenberg, for Wiscon book group. Digger, by Ursula Vernon, for Illustrated Reads book group.

Nonesuch, by Francis Spufford, and The Beginning Comes After the End, by Rebecca Solnit, because they are due back at the library.

One Day Everyone Will Always Have Been Against This by Omar El Akkad is this year's Fort Collins Reads book. I read it for book group, but I want to reread it because he's coming to talk to us November 8. I was afraid to read this book, but it is mostly not about the atrocities, it is, as the title suggests, about how the rest of the world responds to the atrocities.

During the book group discussion at the library, one member said, "Why didn't he mention October 7? I kept waiting for him to talk about October 7, but he didn't mention it at all!" Several other people responded that yes he did. She said "Oh, well, I guess I didn't notice it." So, rereading it, I keep noticing how many times he mentions the atrocities that were committed by Hamas on October 7. What he doesn't do-- what I think she was waiting for-- is label October 7 as The Cause Of It All, the Instigation, the central point that everything else is a reflection of.

Schwebebahn, Schwebodrom

Oct. 27th, 2026 09:22 pm
[personal profile] cosmolinguist

I subscribe to Defector mostly to read about baseball (both as an abstract concept and MLB in particular, good writing on bad current events and even how humanities is good despite the STEM-supremacy of the moment.

So imagine my surprise a few weeks ago when I found a link about something very near the part of Germany I was about to visit for Oktoberchest. And it was...a weird form of public transport? That sounded extremely relevant to my beloved, who loves nothing more than infrastructure.

So today, with nothing better to do on our last full day here, we went to Wuppertal to meet the Schwebebahn!

We saw it from the normal train that we took to Wuppertal, and D once again made the Good Dog Noise like he did about the Minneapolis skyway or the Falkirk Wheel.

We've definitely found a worthy third for a trinity of charismatic megainfrastructure (fitting perhaps that one of the books he's brought on holiday with him is Deb Chachra's How Infrastructure Works, which I read to see if I should buy it for him, and from which I learned the phrase "charismatic megainfrastructure").

"Schwebebahn" means suspended railway, or literally "floating train," which is an apt way to describe a dangling monorail. It was built along and above the river Wupper in 1901, connecting several towns that would later merge to form the city called Wuppertal ("Wupper valley").

Just as we got to one end of the Schwebebahn, having started in the middle and gone the other way first, just as D had assured me he'd schwebed enough and we should go back to Düsseldorf at this handy train station we're now next to... someone who'd been sitting next to us on the train told us about the [Schwebodrom[(https:// schwebebahn.de/en/schwebodrom), using every mote of her English to convince us that we should go there.

Naturally, the Schwebodrom -- a museum but it's like, "Schwebe drome" (leading me to realize that I'd never considered "drome" to be a productive affix; like, what does it mean?) -- is way back the other end of the line, the way we just came.

But of course we went there.

And it was amazing. D was so delighted at everything that by the time we were done he was like a toddler at the end of a birthday party: happy but in a daze and he needed a nap on the train back to Düsseldorf.

There's so much more I want to say, and D told me that he took two million pictures on our Schwebebahn journeys, and I haven't even told you about the stollen yet... but I've only just had a shower and changed my dressings (by myself, yay! because D's IBS is flaring up again, boo!) and I still have to pack and it's already well past my bedtime, especially considering that I had so little sleep last night... so the details will have to wait for now.

lydamorehouse: 3/4 view of Renji from Bleach (Renji 3/4ths profile)
[personal profile] lydamorehouse
 Fairmount 2026
Image: early morning on Fairmount Avenue, Saint Paul, MN.

It is also, I realize, Wednesday today. I should probably at least mention some of what I've been reading or not, as the case may be.

Currently, on Libby, I have three audiobooks on loan. I'm 47% thorugh Amal El-Mohtar's The River Has Roots.  The production level on this audiobook, y'all! It's insane!  There is professional singing in the background and a whole lot of really well done sound effects to evoke rushing water, etc. I highly recommend this for the kind of experience you can only get listening to a radio play. The story itself, of course, is award-winning and would stand up to being read in a noisy alley by a drunk weasel. But, the narrator for this is also top-notch and has a very place-appropriate accent. Thus, I am really, really enjoying this on a whole lot of levels. 

I have two others in the queue. I had not yet gotten around to reading/listening to Martha Wells's latest Murderbot book, Platform Decay. I now have that ready to go next. I had the paper copy at home as well, but with the midterm election looming my ability to concentrate on words with my physical eyeballs is shot (again.) 

Libby just coughed up a much longer audiobook: Alien Clay by Adrian Tchaikovsky. It's more than twice the length of Martha's novella, and more than three times the length of Amal's. We'll see if I get through all of these before they're due back.

I have a couple of paper/traditional books at home as well. I still haven't managed to crack Wiswell's The Dragon Has Some Complaints. I may just have to admit that I'm not in the mood for that book right now, plus, to tempt me further away, I also found Nghi Vo's A Long and Speaking Silence. I have not yet read A Mouthful of Dust, but I actually own a copy of that novella, so I might quick read it before cracking A Long and Speaking Silence. 

So, a lot of really good stuff is awaiting me.

You'd think that I'd be even more overwhelmed with books to read thanks to my job at the library. I was actually explaining to a pen pal of mine that, no, the truth is, a lot the time I'm putting away books of zero interest to me personally. On top of that, so many of what appears on my cart is written by the same five or ten authors. This is something no one tells you about working at a library. You get really familiar with David Baldacci, John Standford, C.J. Box, and James Fucking Patterson (<-- I believe that is, in fact, his legal name.) The women writers that I put away in a similar volume are the romance powerhouses: Danielle Steele and Nora Roberts. After that the fight is between all the various mystery writers who have very punny titles involving drink, food, or cats. Bulletproof Barista, Another One Bites the Crust, Claws For Concern... books like this.

It's a rare day when I actually have my hands on something I'd like to take home. More often than not, when I spot books I actually want, it's because I'm standing in front of the new book kiosk putting something else away.  Or, I've come across them due to someone else's book being alphabetically adjacent. 

What's even sort of sadder is that my pen pal's actual question to me was: how much fun is it to put away books by friends of yours? I had to say, sadly, it has not yet happened. Ever. Not even during the entire six years that I worked at the Ramsey County Libraries. A lot of that, however, is just percentages and probability. My friends make up such a small slice of authors in existance and what are the chances that of that tiny percentage, I will be the one to be working the day their books are returned? Especially once you factor in the sheer massive volume of books by James Patterson that are going in and out of the library systems every single day.

What is up with James Patterson, I wonder? What I should do is give one of his books the Sarah J. Maas treatment. I should borrow a book on CD and "treat" you all to a rant as I listen to it in the car. 

Speaking of my library job, I am now officially an employee of Anoka County having passed my probational six-month period. My performance review, which, as I noted in the previous post, was spoiled already to me to be fairly glowing, so the whole experience was decently pleasant. Except I do not know what to do with my body when I'm in a meeting like that. Do my hands go on the table like a prisoner during an interrogation? Clasped in my lap contritely? Drapped casually over the chair back? I did try all of these and they all felt stupid, so who knows.

That's me, I guess. How's you? What's on your reading list for the week?

Weather I Love to Sleep In

Oct. 28th, 2026 11:41 am
hrj: (Default)
[personal profile] hrj
I love the hot summer nights, when I've opened the windows and started the ceiling fan and I still sleep on top of the bedding, with the artificial breeze whispering over me all night.

I love the crisp start of fall, when I unpack the feather duvet and pull it up to my chin, delighting in the contrast between warn nest and cold face. I wonder how long I can put off turning on the thermostat for the winter, even though I need to wear my fuzzy sleep-socks to keep the bathroom tile from freezing my toes.

I love the winter nights when I carefully calculate when to have the heat kick on in the morning, so that it doesn't wake me up too early (sweating) by I don't huddle under the covers long past when I should rise because of the chill.

Spring arrives, not with a sharp change, but with the gradual kicking off of the covers, sleeping one leg in, one leg out, waiting for the sunrise to creep early enough that I'm not rising in the dark.

Bundle of Holding: Death in Space

Oct. 28th, 2026 02:21 pm
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[personal profile] james_davis_nicoll


This all-new Death in Space Bundle presents .PDF ebooks for Death in Space, the rules-light tabletop science-fiction roleplaying game from Stockholm Kartell (the collective behind Mörk Borg) and Free League Publishing about grimy survival and uncertain journeys in the void of the Tenebris star system.

Bundle of Holding: Death in Space

(no subject)

Oct. 28th, 2026 07:48 am
skygiants: Hazel, from the cover of Breadcrumbs, about to venture into the Snow Queen's forest (into the woods)
[personal profile] skygiants
Julie Kelleher's The Sea-Glass Shore is a book by friend, but also I think a book that a number of you would be interested in, if you like selkie stories, and community work, and the call of the sea.

The Sea-Glass Shore is a selkie storie that emphatically knows how selkie stories work: when local librarian Jack starts meets the selkie Rona off the coast of his Pacific Northwest town, he clings to the idea that rip to other selkie husbands but I'm different like a mantra. This is a consensual relationship! No skins will be stolen this day! And Rona, herself, is thrilled to be part of the human world, to have company and clothing and a safe place where she feels like she belongs, after a childhood fully shaped by her mother's fear of humanity.

Then Jack and Rona settle down, buy a house, have kids -- and the presence of the kids, two new individuals who have their own distinct relationships to their selkie heritage, destabilizes everything. Living in a two-person idyll and foraging from the sea for food was fine when they did indeed have a two-person idyll, but children come with increased scrutiny, and schooling requirements, and a whole new range of responsibilities. Suddenly Rona can't just be a blithe tourist in the human world anymore; the woman from the sea with no identity and no driver's license now has to keep track of time, and days, and get her children to and from school.

And meanwhile, Jack has built his life and self-image on the bedrock of his trust in Rona -- but does he trust an adventurous child? A dissatisfied teenager?

The kids aren't the only destabilizing force in Jack and Rona's world; the cove where they've built their home between the sea and the shore is also being threatened by the forces of development, and Rona gets recruited into a sort of Charles de Lint-inflected storyline of the battle between a local crow and a sort of sinister Paul Bunyan, as refracted through small-scale community activism. But the book is most interested in exploring internal threats, not external ones, and climax it's building to is about the choices that each member of the family have to make in regards to the ways they relate to each other, and the kind of life they want to live, and the places they feel like they belong.
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


Dollmaker-turned-costume-tailor Wakana Gojo has discovered a knack for creating cosplay costumes on the fly. He will need it.

My Dress-Up Darling, Volume Four, volume 4 by Shinichi Fukuda

PT, and scheduling

Oct. 27th, 2026 07:10 pm
redbird: closeup of me drinking tea, in a friend's kitchen (Default)
[personal profile] redbird

This morning's PT session went well, I think. She had me do several different things standing on a balance board, a very small ramp, and a long piece of slightly squishy foam, and seemed pleased with how well I kept my balance while doing them. I told her how I was doing on the exercises she sent me home with, and based on my description of how it hurt, she said I can stop doing the one where I walk on my heels without the front of either foot touching the ground.

I did a lot of my ongoing PT exercises this afternoon, despite feeling as though I'd been to PT, that should be enough. I did decide that I'd done enough balance PT for one day, though.

I returned calls from two different people at my eye doctor's office. I have an appointment with a cornea specialist in December, and said that yes the appointment she found with my regular eye doctor, in Arlington, was OK, despite being early in the morning.

[personal profile] cosmolinguist

We've had a gentle day. I slept okay last night -- catching the beginning of Game 3 but then only waking up to hear an announcer say the score was ten to nothing Brewers???, thinking I was dreaming it and waking up properly just in time to listen to the ending. (Later I'd get to read sentences like "When I came out of the shower, the Brewers had scored eight two-out runs, extending their lead to 10-0.")

I still had a biiiig nap this afternoon, and I've been tired all day. This is not surprising, or even unwelcome, exactly.

We didn't have to go out: we made dinner here (in stages: I chopped the onions and mushrooms, D cooked them and added the sauce and boiled the pasta; I washed the dishes).

Before the big nap, I made and then happily drank drank too much coffee, while reading too much poetry and listening to really cool music from the Dwarf Fortress soundtrack as D was playing the game. Such a cozy, companionable morning.

Here's one of my favorite poems I've read so far today, Interstate by Meghan O'Rourke

( here's a little bit of it )

I love what she does with slippery-ness and light, especially "borrowed light," over and over through this poem.

And LimeWire taught me by KB Brookins is so fun for People Of a Certain Age.

And, because this issue is the Radical Poets of the Midwest one -- which feels like a gift to me specifically, that this would be waiting for me when I have time and inclination to get a poetry magazine from the library --

I focused on drawing together work bound by an interest in witness, documentation, and an explicit or implicit call for action, which to my mind is a definition for “political poetry.” Their poems are radical in their calls for social change, structural reform, and care for future generations.

There is also Battle Prayer by Marcie R. Rendon:

     there really was a time
when peacefully we lived
     genocide made
room for more genocide
removed our flesh and blood
until only—
     if you would stop to hear—
the elders on our homeland
and children waiting to be born
sing ancestral victory songs
     I hear their songs
as I sit in this gentle moment
where snow melts
and the hope of su=mmer smells rises from
moistened earth and green buds—
     cold this morning—
holds the promise of singing
     cottonwood leaves
     in the summer wind
I wish I had the money
to be socially conscious
and politically correct

Which lists not only three of my favorite foods ("strawberries blueberries wild rice— / food of Anishinaabe / creation—feeds my spirit") but also cottonwood trees which i miss so much more than I thought I would; I saw a photo of some yesterday, changing into their fall colors, and was heartsore but also my heart soared.

A Year in the Life of Book Sales

Oct. 27th, 2026 07:11 pm
[syndicated profile] alpennia_feed

Posted by Heather Rose Jones

Tuesday, October 27, 2026 - 12:11

Want to know what a year in the sales life of a very small-time author looks like? Let me nerd out about numbers for you.

Due to several factors,  mostly relating to my retirement last year, 2026 has been the first year I've made a serious push to participate in in-person book sales at events, mostly local Pride events and book fairs. Since the in-person season has come to a close, I thought I'd share what that looks like for a small author who doesn't do nearly enough book promotion. (I plan to work on that, but it's the hardest part for me.)

Currently, I have 7 books out: 5 from small presses and 2 self-published (one of which is very niche non-fiction).

Currently I get income from those books via 3 methods: royalties from my publishers, income from online books sales for the self-published titles (currently all through third parties, though I'm working on setting up to sell direct from my website), and in-person sales (all titles). As my first self-published title came out about a year ago, this is also the first year where that category shows up.

Just as background, up through around 2020, royalties were averaging just over $1000/year. Since 2020 they've averaged about half of that. Covid or coincidence? Or simply the fact that these titles have been out for a while? (Although sales had remained rather steady since the year my first book came out.) Since the 2026 royalty data won't be complete for another half year, I'm taking the most recent one-year period as a baseline comparison, which is $320, below the recent average.

Online sales are trivial. Maybe $20. My titles aren't best-seller material in any case and I've done very little so far to promote that angle, mostly because I find the task emotionally daunting.

On the other hand, direct, in-person sales for the year have netted me $234 across 10 events. Now I need to clarify what "net" means in this case. It's gross sales less sales tax collected, card processing fees, and my share of the table fee for selling at the event. It doesn't include convention costs (membershp, travel, hotel) becuase I would have attended those events anyway. And it doesn't include mileage to go to day events (because I"m not tracking and itemizing that currently)

So overall, book income for 2026 is looking like 320 + 20 + 234 = $574**

When I try to give people a sense of what my writing income looks like, I tend to describe it as "Starbucks money." Is that the case? Let's take a look, courtesy of my financial tracking database. Expenses for Starbucks & Peet's Coffee for the first 3/4 of the year come to $680. So, no, I'm not even making "Starbucks money." (No snarky comments about how I should stop going to coffee shops to save money. That isn't the point of this analysis.)

But let's back up and look at those in-person events. The biggest factor in whether an event made me money was the table fee. For the two events where I lost money (a couple bucks in both cases) my share of the table fee was $60-69. The two events where I netted the most ($67-70) didn't involve a table fee. Overall, table fees for all events for the year were $160, so about 2/3 of what my overall net income was. (The other major expense, of course, is cost-of-goods.) But notice that the pre-fee income was quite similar. At most events, I sold somewhere in the range of 6-11 books, which is quite respectable for a small local Pride festival, like the ones I attended in Concord and Fremont. On the other hand the local Pride festivals in Martinez and Emeryville (2 and 1 respectively) were scarcely worth the trouble. The thing is, you can't predict just from the nature of the event. All four of those events were quite similar in size and attendence. The two with higher income also had higher table fees, but I don't think there's any cause and effect there. It's a crap shoot, and as long as the small book events continue to pay off in the aggregate, I don't know that it's worth trying to pick and choose.

(Note that I've been doing the local events as part of the Bay Area Queer Writers Association, where 3-5 authors will share a table or two and split costs. Having a co-op table with a larger number and variety of titles makes the thing worthwhile, whereas I wouldn't be making any profit if I were getting solo tables, given the volume of sales I have.)

**Anything I receive from the Anthropic settlement will blow this out of the water in terms of income for the year.

Major category: 
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll
The quoted material below is quoted material.


Kitchener's voter turnout:

2026 22%;

2022 20%;

2018 27%;

2014 30%

2010 28%

Why the big drop between 2018 & 2022?

IDK but city staff stopped mailing individual voter cards & began batching per address, sending to "random" people in 2022.

How many didn't get their voter info?

Can they track voter turn out by if they their voter cards were addressed to them or not?


So, there will likely be articles about voter apathy, but what about candidate apathy?

~30 candidates were on my ballot.

I heard from 2.

Both were re-elected.


As to the others, I saw no leaflets, no Facebook or Instagram ads. No calls. No door drops.

Not all candidates replied to media surveys.

Not all had websites or social media accts. Some only had a Facebook account

Very few lawn signs.


I wonder if they ascribed to the visualization mindset (just imagine being successful and you will be successful without actually doing anything).

I know there's a big push to have voters educate themselves about the issues and candidates, but if a candidate can't be arsed to let me know they're running, I figure they can't be arsed to work for their constituents.

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