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Something occurred to me while I was off skiing the cross-country trails at Colby this afternoon (a good time for rumination). Yesterday while I was checking up on the proper Latin declension for "mysterium", I discovered that I'd been wrong in thinking that the "religious mysteries" mystery and the "craft guild mysteries" mystery had the same linguistic origin. And I was thinking, "Darn, this messes up the sort of blended meaning I was using in the novel." (Specifically: the fantastic element where the performance of rituals associated with particular saints can -- for selected people -- result in concrete real-world effects that are nominally attributed to the intercession of said saints but that are difficult to distinguish from effective ritual magic caused by the performer.) But then today it occurred to me that this ambiguity is inherent in conflicting approaches to the phenomenon within the story, with the majority of people treating the mysteries in the "sacred rituals" sense with an emphasis on performance as a form of worship, but a subset of people (and in particular a subset of those whose rituals are regularly effective) treating them as the "workings of a craft or trade" sense with emphasis on achieving particular effects. So, in the end, the conflicting etymologies works better for my purpose than if the two senses did have the same origin. And thereby I've come up with a title concept for the "ancient philosophical treatise on the mysteries" that my protagonists bond over discussing.

Date: 2009-12-31 06:06 am (UTC)
From: [identity profile] twistle.livejournal.com
I'm really appreciating the detail on how you are thinking about this - thank you

Date: 2009-12-31 02:13 pm (UTC)
From: [identity profile] hrj.livejournal.com
Thanks. It's actually a feature rather than a byproduct for this writing project. In order to distract myself from getting intimidated by the desire to finish something, I decided to do a lot of focus on "process" and to try some new approaches. And to journal my experiences along the way -- although not all of it is public journaling. I'm doing more detailed public discussion of the process now that I've got serious momentum going. Ordinarily I don't like to talk about writing projects until they're pretty close to complete, since it has a tendency to undermine the creative drive.

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