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The next several chapters each introduce a girl who will have a key role in Sara’s experience. Each of them is subordinate to her in some fashion: Ermengarde intellectually, Lottie emotionally, and Becky socially. And in these introductory chapters one of the functions they fulfill is to show Sara being kind and supportive to others on their own terms according to their own needs and interests.

Ermengarde, unfortunately, is brought in with an unpleasant whiff of fat-phobia. Now, Burnett never quite says outright that Ermengarde is stupid because she is fat, but there’s a constant re-emphasis of her physical appearance, and regular comments from other students that restrict Ermengarde’s possible roles on the basis of her body. (Much later in the book, this attitude is summed up in Ermengarde’s repetition of the others’ judgement, “I can’t be a princess, I’m too fat.”) And while the narrative clearly takes the position that being a good person is more important than being thin and beautiful, it never really contradicts the judgement that her body is the determiner of all her other characteristics.

In my head-canon, there’s a somewhat different story going on. Ermengarde clearly needs a learning method other than what Miss Minchin’s school (and the society of the story in general) uses. She may have an actual learning disability or she may simply have different brain wiring. She comes from an intellectual family, with a father “who knows everything, who speaks seven or eight languages, and has thousands of volumes which he has apparently learned by heart”. Ermengarde has difficulties with rote memorization (though she does better when facts are contextualized in an interesting way). Her father is severely disappointed that Ermengarde doesn’t follow in his footsteps and various comments along the way indicate that she’s been told that she is stupid, dull, and a disappointment since long before she came to school. Miss Minchin was then primed to view her in the same way, and Ermengarde’s learning experience has been an exercise in being forced to repeat the same failure modes over and over as a public humiliation. Given all of that, it would be no surprise to me if her weight were a consequence of the emotional abuse. Comfort-eating has a strong attraction. (And evidently her aunts who sent her care packages at school are firm believers in "food is love".)

Sara’s first impulse is non-judgmental sympathy. She approaches Ermengarde specfically because the other girl is unhappy and looks lonely. Her first interaction is to draw Ermengarde into her imaginative world, commenting that her name “sounds like a story book.” And when Ermengarde expresses admiration for Sara’s facility with language and labels her “clever”, Sara discounts those things as moral virtues or personal achievements and returns to sharing stories. The rest of chapter 3 (which I’ll return to next week) explores that imaginative process a bit more.

Date: 2016-03-16 04:25 pm (UTC)
From: [identity profile] katerit.livejournal.com
I was always impatient with Miss Minchin's treatment of Ermengarde, but I confess to also being impatient with Ermengarde. I agree that the fat=stupid motif, though common in the time (and today), is really problematic.

Now, of course, I can really see some other educational approaches for such a student. I think I've had her a few times.

Date: 2016-03-16 04:42 pm (UTC)
From: [identity profile] fadethecat.livejournal.com
This is one of those characters that I felt the fan-sequel dealt with really well. To an extent that it deeply colors my rereading of the original novel, I suddenly realize now. Huh. I suspect that as a child I didn't notice any of this particularly; the Sad Fat Girl was so damn common in children's literature, as a way for the protagonist to show how good she was by liking her anyway, that she just read like a stock character to me.

Date: 2016-08-03 03:22 am (UTC)
From: [identity profile] touhou mother (from livejournal.com)
Yeah. I love how the sequel still keeps Ermengarde stupid, Lavinia bitchy, and Lottie a brat. Hell, Lottie playing around with the maid's work ended up burning the whole place down. Really shows how you should just leave a maid's work to the maids.

Date: 2016-08-03 04:08 am (UTC)
From: [identity profile] hrj.livejournal.com
Sigh. One might thing that a sequel could give everyone a chance for character growth.

Date: 2016-08-03 06:15 am (UTC)
From: [identity profile] touhou mother (from livejournal.com)
Well, the original book itself was all about Sara, so I was kinda bummed that she didn't appear much in the book.

Oh well, I don't think anyone else could've written Sara as good as Burnett did, so maybe that was a wise choice.
Edited Date: 2016-08-03 07:06 am (UTC)

Date: 2016-08-05 07:42 pm (UTC)
From: [identity profile] fadethecat.livejournal.com
The sequel gives everyone a great deal of character growth. It's possible that the poster above is thinking of a different sequel than I am, which I'm unaware of. Or, conversely, that they have read the same book as me in a very different way. After all, it explicitly addresses why Ermengarde is (unfairly) regarded as 'stupid', what drives Lottie to be a 'brat', and shows some fascinating core character to Lavinia that had me very fond of her and rooting for her by the end.

Date: 2016-08-06 01:16 am (UTC)
From: [identity profile] touhou mother (from livejournal.com)
Ermengarde still has troubles with her lessons so she's the same as in the original.

Lottie is still acting as childish as ever, as in the original.

Lavinia is still acting smug and superior, as in the original.

Date: 2016-08-05 07:41 pm (UTC)
From: [identity profile] fadethecat.livejournal.com
I can only imagine you're thinking of a different sequel than I am, because I wouldn't characterize the book I had in mind that way at all.

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