hrj: (LHMP)
(I explain the LHMP here.)

While, no doubt, many lesbians in history made their peace with the need to accommodate marriage and family life, when designing a character who has the freedom to refuse marriage to a man, it helps to know what social and economic options would have been possible (or even normal) within your setting. There have been several excellent collections of papers (and even more monographs) on the topic of singlewomen, but I believe this was the first significant one to appear. In this entry, I summarize the introductory section by the volume's editors. In following entries I will cover the other 10 papers in the volume -- all of which speak to particular times and places or social circumstances.

I have been intended to do a summary article on options -- both social and economic -- for unmarried women, similar to the summary articles I've already done on crossdressing and on sexual activity. To my mind, it's one of the key topics in creating a historically plausible context for lesbian characters who will appeal to modern readers' sensibilities.

* * *

Bennett, Judith M. & Amy M. Froide. 1999. “A Singular Past” in Bennett, Judith M. & Amy M. Froide eds. Singlewomen in the European Past 1250-1800. University of Pennsylvania Press, Philadelphia. ISBN 0-8122-1668-7

Introductory chapter to a collection of papers on the topic described in the title. The collection in general addresses the question of women living outside the “nuclear family”, and especially looks at systems and categories rather than treating singlewomen as isolated anomalies. These systems included not only women who were single life-long, but those who lived single for an extended period before marriage (and especially outside the parental home), or those who became newly single after being widowed, although this volume focuses specifically on the never-married, though including those who might later. Religious concerns motivated some of these women.

It’s estimated that during the period covered by this book, 10-20% of adult women were lifelong singlewomen and this number was increased at any given moment by those who had simply delayed marriage. Some sample proportions for singlewomen in specific areas at particular dates:

England 1377 - ca. 33%
Florence early 14th c. - ca. 20%
Zurich late 14th c. - ca. 50%

In most places, proportions were event higher in the 16th century. Singlewomen were often poorer than married ones and for that and other reasons were less likely to leave documentary traces, however tax records, censuses and the like often treated them in distinctive ways, making them countable. There were a number of general trends: they were more common in northern Europe than the south, more common in the 17-18th centuries than earlier, and more common in cities than rural areas.

These patterns have some clear cultural bases. Northern and southern Europe followed different general patterns for marriage with the north having a later age of marriage (typically mid-20s for both husband and wife), relatively similar ages for both parties, and a higher proportion of unmarried people. The Mediterranean area, in contrast, tended towards early marriage for women which was typically to older men, and with a much smaller number of unmarried women. The differences between rural and urban proportions can be accounted for by a number of factors. Young urban women were more often apprentices or in service or were recent migrants, which would delay marriage, and towns tended to have larger numbers of women than men. It’s noted above that singlewomen tended to be poorer than marred ones, but the causation might go both ways with a poor woman finding it harder (or less attractive) to marry, as well as singlehood being a source of hardship. The expense of marriage -- whether in setting up an independent household, or in the prevailing expectations for dowries -- also could delay or prevent marriage. From the other side, when the occupations available to unmarried women were plentiful and well-compensated, marriage rates declined (at least in England where one study was done).

Within the broad category of singlewomen, their specific experiences could depend on a number of factors: wealth, age, sexual activity, nationality, and religion. (The discussion then surveys these various axes, but as these topics will be covered in more detail in the individual papers, I’ll skip the duplication.)

The ability of lifelong singlewomen to enjoy social and economic power was more limited than that of widows (who often might deputize for sons or for late husbands). Living arrangements also affected the degree to which an unmarried woman enjoyed the benefits or endured the hardships of the single state, e.g., a woman living with a sibling might have more in common with partnered women.

In addition to not having the legal protections of a husband, singlewomen were often viewed with suspicion due to not having a man to “control” her behavior and this could lead to their scapegoating, as in the witch-crazes of the 15-17th centuries. On the economic front, while singlewomen often occupied the lowest and most precarious jobs, they might also be quick to take advantage of new categories of profession. With the rise of proto-feminist sentiments, singlewomen were often at the forefront due to the magnified effects that sexism and misogyny had on their lives.

Representations of singlewomen in literature tended to be polarized -- either ridicule or praise -- when they were recognized as existing at all. Old French courtly narratives tend to treat singlewomen very positively, emphasizing female friendships and support systems and the solving of problems by intellect. In contrast, 16th century English popular song tended to focus on elderly singlewomen with ridicule. (These are not the only relevant genres, of course, but the ones studied in this volume.)

While lifelong singleness was not always a deliberate choice, and when chosen might be influenced by general social factors and trends, there is a clear strain of some women preferring not to marry as a positive option, whether from piety, from the love of liberty, or -- as can be clearly demonstrated in some cases -- due to a preference for the company, companionship, and love of women.

Singlehood did not mean a complete lack of personal relationships. Singlewomen often maintained strong relationships with parents, siblings, and the descendants of their siblings. Lack of marriage did not always mean lack of romantic or sexual partners (of either sex), and children (whether from lovers or from adoption) could also be part of their households. Singlewomen might also band together in households for mutual support and companionship (apart from romantic companionship), whether as an individual arrangement or in formal communities such as beguinages.

Keywords: singlehood economics
hrj: (LHMP)
(I explain the LHMP here.)

There are several medieval romances (in the literary sense) that seem to me to cry out for invoking authorial privilege to tweak the endings to a more satisfactory conclusion. The tale is Silence is one of those, with its elements of gender-bending, a heroic woman in disguise, and tantalizingly passionate (if problematic) encounters between a female pair. Like many French romances, the story is rambling and not always entirely coherent. I've focused specifically on the events relevant to my project.

* * *

Roche-Mahdi, Sarah. 1999. Silence. Michigan State University Press, Lansing. ISBN 0-87013-543-0

Edition and English translation of a 13th c. French Arthurian romance. Roche-Mahdi has a brief preface giving the history and context of the manuscript and a brief synopsis of the major themes.

The king of England has proclaimed that no woman will be allowed to inherit, so Silence (the primary character) the daughter and only child of Cador and Eufemie of Cornwall is raised as a boy to get around the law. On reaching adolescence she engages in a debate with the allegorical figures of Nature and Nurture as to whether she should continue in a male role (Nurture) or take up a female role (Nature). The arguments presented shed interesting light on attitudes towards gender roles.

In part, Silence is enculturated in a male role simply by being treated as a boy. There is an emphasis on physical activity (riding, wrestling, and martial arts) but not perhaps more than an actual son would have received.

Nature’s argument is that the male role is a deception and a waste. Nature specifically invokes the possibility that women will fall in love with Silence to their regret: “There are a thousand women in this world who are madly in love with you because of the beauty they see in you -- you don’t suppose they think something’s there that was never part of your equipment at all? There are those who love you now who would hate you with all their hearts if they kew what you really are! They would consider themselves misused having their hopes so cruelly dashed.”

Silence responds that she can’t be other than who she is, and this is how she’s always known herself. She begins wavering but then Nurture arrives to argue the other side and Silence reasons that it would make no sense to go from the powerful and respected life as a man to the “lower” life as a woman, and that furthermore she would make a bad woman as she has no practice at it.

Deciding to continue in the male role, she runs away to become a minstrel and then a knight and so arrives at the royal court where she wins great fame. As Nature predicted, women fall in love with her, including the queen who makes sexual advances toward Silence. They kiss: the queen passionately and Silence trying to maintain a chaste response. The reason Silence gives for rejecting the advances is that it would be treachery against the king, though it is also noted, “She [the queen] began to embrace him [Silence -- there is a great deal of pronoun alternation] but he wasn’t at all interested, because his nature kept him from responding.” The queen, unhappy at the rejection (and after contemplating the possibility that Silence must be gay, not to be aroused by her), falsely accuses Silence of assaulting her to get revenge. After various complications, Silence is given what is meant to be a hopeless quest: to capture Merlin and bring him to court. Silence succeeds but with “a woman’s trick” and is thereby unmasked, but all ends well as the king is so impressed by Silence (and the queen’s treachery is discovered) that he reverses the ban on women inheriting.

* * *

While the story, at face value, would seem to contradict any lesbian interpretations, the reason for including it in the Motifs Project is the ways in which those interpretations are set up and spelled out in order to contradict them. Women are expected to fall in love with a woman who presents in a male gender role. The possibility of homosexuality is evoked as a reason for unexpected erotic responses or the lack thereof. The queen is erotically drawn to an individual who -- underneath the disguise -- is a woman. There are erotic interactions between them, and Silences’s objections are much more strongly framed as ethical than as from lack of attraction. Even more, the discussion of gender roles as being a realm where nurture may over-ride nature provides a counterbalance to more conventional notions of medieval attitudes.

Keywords: crossdressing passing love sex law inheritance
hrj: (LHMP)
(I explain the LHMP here.)

I confess that I'm starting off with some of my favorite articles -- ones that are particularly striking or memorable. I'll try to mix it up a bit more to keep things interesting. I had the pleasure of knowing Professor Clover when I was in grad school at U.C. Berkeley and I believe she provided me with the offprint of this article herself.

* * *

Clover, Carol J. 1995. "Maiden Warriors and Other Sons" in Robert R. Edwards & Vickie Ziegler (eds). Matrons and Marginal Women in Medieval Society. The Boydell Press, Woodbridge.

In the context of the Germanic (and especially Old Norse) motif of the “shield maiden”, Clover studies a specific story-type that she terms the “maiden warrior”, as typified by Hervör in Hervarar saga ok Heidhreks, and identifies a characteristic context for this particular version of the warrior woman motif.

The outline of Hervör’s story (which is complex and part of a much longer “family saga”) identifies her as the only and posthumous child of the warrior Angantyr. Raised by her mother’s family, she gravitates toward weapons rather than “women’s work” and takes up a profession -- dressed and armed as a man -- as a common robber. On learning her father’s identity, she decides to seek out his grave to retrieve his sword. To do this, she takes on a masculine version of her name and demands that her mother outfit her as she would a son. In her travels she joins and becomes leader of a band of Vikings, eventually accomplishing her quest during which she debates her father’s ghost (in verse, no less) for the right to take his sword. After this she continues having masculine-style adventures until eventually settling down to marriage and motherhood. (It is a family saga after all -- there has to be a next generation.)

Clover situates this story as part of a tradition involving women who are the sole representative of a lineage (Hervör was an only child and her father’s brothers all perished with him) and who therefore are expected to play a son’s part, whether to avenge a father or simply to continue a key lineage, with that “son’s role” exemplified by characteristically masculine activities, especially martial ones.

Other examples of the motif are :
* Skadhi (in the Eddas) who takes up armor and weapons to go to Asgard to avenge her father
* Thornbjörg (in Hrólfs saga Gautrekssonar) the only child of a king of Sweden who takes up martial activities in childhood (defending her choice as justified because her father has no other children) and when her father provides her with lands and followers she takes on a male name and dress to reign as a king
* Ladgerda (from the legendary histories of Saxo Grammaticus) the sole surviving child of the dead king of Norway who -- as part of a group of women -- takes on male dress and takes up weapons for protection.
* Alfhild (another story from Saxo Grammaticus) takes up male dress and weapons to escape an unwanted suitor. Breaking the pattern somewhat, she has living brothers at the time however the attrition of battles eventually leaves her daughter Gyrid as the sole survivor of her line. Gyrid later takes up arms in male clothing to do battle alongside her son.
* The valkyrie Brynhildr may fit the pattern to some degree as well, but the many versions of her story that have come down to us have muddled whatever may have been her thematic origins.

Note that although these “substitute son” characters not only take up martial activities but also often wear male clothing or even take on a male name, there is no indication that it was a disguise (i.e., that they passed as men) rather than being a visual symbol of their status. Their stories generally conclude with marriage to a man and the begetting of children. In fact, Clover asserts that it is precisely the provision of a genealogical link between generations that gives them the license to take on a “male” role.

Although these examples are all literary, Clover notes a passage in early Icelandic law that treats a brotherless woman (but only if she is unmarried) as if she were a son in the context of the paying and receiving of wergild (payment for a death). Similar clauses can be found in early Norwegian law.

Clover notes other “shield maiden” subtypes which different literary contexts, such as the avenging mother and the maiden king.

She also notes a relatively modern thematic parallel in the “sworn virgins” of Albania who might take up a male social role (including male dress) under certain specific circumstances, including the need to pursue a feud in the absence of male relatives.

Keywords: crossdressing warrior name
hrj: (LHMP)
(I explain the LHMP here.)

The first entry was an intriguing story about an adventurous but well-behaved woman with no overt lesbian connection. This second one is pretty much the opposite. I would have a hard time writing Katherina Hetzeldorfer as an entirely sympathetic character (though certainly not deserving of her ultimate fate). But the wealth of detail regarding her exploits and methods is invaluable.

* * *

Puff, Helmut. 2000. "Female Sodomy: The Trial of Katherina Hetzeldorfer (1477)" in Journal of Medieval and Early Modern Studies: 30:1, 41-61.

For sheer soap-opera fascination, the trial of Katherina Hetzeldorfer in 1477 in Speier explodes a number of potential myths about lesbian activity in medieval Europe -- whether that there was none, or that it was given no official or legal notice.

Katherina was passing, at least nominally, as a man and had arrived in town with a female companion, initially presented as her “sister” but with whom she eventually confessed to a sexual relationship. (The court records suggest that at some point Katherina described herself to others as the woman’s “husband”.) Although there were some suspicions regarding this relationship, what brought Katherina to the attention of the law was a serious of sexually aggressive adventures, including offering women money for sex and entering women’s houses at night for the purpose of sexual assault. The trial focused on her transgression of gender boundaries in her appearance, but the testimony includes extensive evidence of her sexual behavior. Some aspects of the testimony must be suspect as her partners must have felt the need to present themselves as victims of a gender hoax rather than as willing participants. Katherina’s original companion testified that Katherina had “deflowered her and had made love to her during two years.” Another woman asserted that Katherina had “grabbed her just like a man” … “with hugging and kissing she behaved exactly like a man with women.” And the most detailed testimony concerned how Katherina used an artificial penis both as gender disguise and as a sexual aid. “She made an instrument with a red piece of leather, at the front filled with cotton, and a wooden stick stuck into it, and made a hole through the wooden stick, put a string through, and tied it round; and therewith she had her roguery with the two women….” Katherina’s repertoire also included manual stimulation, with one partner describing, “she did it at first with one finger, thereafter with two, and then with three, and at last with the piece of wood that she held between her legs as she confessed before.”

The details come from notes and transcripts of the court case in which she was condemned and afterwards executed by drowning.

The author includes passing references and citations of other legal cases involving sexual activity between women.

A German case in 1514 in Mösskirch concerns a servant girl Greta who "did not take any man or young apprentice … but loved the young daughters and went after them … and she also used all the bearings and manners, as if she had a masculine affect.” There was never any mention that she used an instrument, and her activities don't seem to have been popularly condemned, but she was investigated on suspicion of being a hermaphrodite, though doctors determined that she was “a true, proper woman”. (hat sie die jungen döchter geliept, denen nachgangen … auch alle geperden und maieren ob sie als ain mannlichen affect hat … ain wahr, rechts weib gesehen worden.)

Another German case in Rottweil in 1444 involving a religious woman Katharina Güldin who practiced the “vice against nature which is called sodomy” with an unnamed lay woman. In this and the previous case there is no indication that the women were trying to pass as men, although their behavior (with women) was labeled “masculine”.

The article includes transcripts of the original records of Hetzeldorfer’s trial, along with a full translation. The notes and bibliography are useful for tracking down details of other similar cases, although Puff seems to have included all the relevant summaries. Much of the discussion of this record concerns how the courts discussed and labelled sexual activity between women, often having no clear term for it at all.

keywords: crossdressing passing sex marriage dildo trial discovery execution
hrj: (LHMP)
(I explain the LHMP here.)

I thought I'd start off with this little gem because it encapsulates the sort of historic tidbit that could inspire an entire novel. There are no overt lesbian connections but the theme of cross-dressing to successfully play a male role in society is highly relevant.

* * *

Shank, Michael H. 1987. "A Female University Student in Late Medieval Krakow" in Signs: A Journal of Women in Culture and Society: 12:373-380.

A 15th century account of a young woman attending Krakow university in male disguise. After successfully passing as a man for two years and nearly attaining her degree, she was unmasked due to the suspicions of a soldier who won a bet with his friends by forcibly undressing her and revealing her sex. She was taken before a judge but no one could find any complaint against her except the cross-dressing. After that she chose (from among unknown other options) to go into a convent where she became Abbess. A small amount of her earlier backstory is given: as a child she was a student along with some other children. When her parents died she came into an inheritance and that supported her decision to disguise herself “for the love of learning”. The source of the story is the autobiography of Martin of Leibitz (d. 1464) where he presents it as an event that occurred when he was living in Krakow.

Shank discusses the possible relationship of the themes of the story to hagiographical and moralistic literature popular at the time, as well as identifying details and connections within the story that argue for its historicity. He leans towards the latter.

Keywords: crossdressing passing education discovery
hrj: (LHMP)
Because it's Pride Month, and because I keep meaning to get back to it, I'm going to re-start my project on Motifs of Use to Writers of Lesbian-like Characters in Historically-Inspired Fiction. (I'll keep playing with the name until I get an acronym I like. Lesbian Historic Motif Project? Hmm, it I can fit something starting with A in there, I may have something.) The survey essays I've done in the past on cross-dressing/passing women and on sex between women were part of this project. But my original idea was more in the way of an open-ended annotated bibliography with extensive keyword indexing. Blogging brief summaries of individual articles (or book chapters) makes the project more manageable than aiming for the thematic survey essays. There will be a lot of redundancy with those essays to begin with. And I may decide to set up a Tumblr blog or something to make it a distinct project.

My goal here -- beyond the selfish utilitarian aspect of organizing my research -- is much in parallel with that of sites like the Medieval People of Color blog, or Kameron Hurley's award-nominated essay "We Have Always Fought". I want to help change the unexamined assumptions about the place and nature of lesbian-like characters in historic fact, literature, art, and imagination. I want to do it to help other authors find inspiration and support for the stories they want to tell. And I want to do it to affect the reception of my own writing. My project will be flawed in that it will privilege topics and interpretations of personal interest to me. (A geographic focus on Europe and it's neighbors. A temporal focus that ends before the 20th century and focuses strongly on the pre-modern. An examination of the data through a lesbian lens even when other lenses, such as transgender ones, are equally valid.) This is a caveat but not an apology. If I weren't doing it for selfish reasons, I wouldn't be doing it at all.

My selection process for data to include is relatively simple: is this something that would be useful in grounding a fictional lesbian character in the context of historic human experience? Probably a minority of it will be items that could reasonably be connected with the label directly. I'm broadly interested in material that creates spaces in which lesbian characters (and especially ones that resonate strongly with modern readers and authors) could have existed. Topics will include behavior, appearance, emotional and affectional lives, economic issues and personal agency, social and legal structures, and anything else that takes my fancy. A pantry full of ingredients from which an infinite variety of dishes could be cooked.

Let's see if I can maintain one post per day for the rest of June (separate from my various other blog activities, of course.)

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